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Independent critical debate is threatened when the extreme right gives the center-right Alliance the opportunity to slash state support for Swedish cultural magazines.
A number of seminal works within Swedish 1960s TV- and computer-based experimental film are being shown at Digital Art Center in Stockholm. The exhibition inspires confidence as well as a taste for more.
Why do we not object when the luxury industry dictates the conditions of contemporary art? A group of prominent intellectuals respond to the cynical argument that there is no alternative.
The wish to compromise sometimes gives the Danish art scene a ‘Truman Show’ feel, says Yvette Brackman, whose new exhibition, opening at Overgaden tonight, contains both theatre and therapy.
“I had no idea that graffiti existed,” says Dan Perjovschi, who has filled the walls of Kunsthall Trondheim with a cacophony of words and simple pictograms dealing with global neoliberalism and popular revolt.
During a press conference at OCA last Thursday it was announced that US-born artist Camille Norment will represent Norway at the 2015 Venice Bienniale.
Oslo has hired Eva González-Sancho and Per Gunnar Eeg-Tverbakk to head the preparations for a large-scale presentation of public art.
This year’s Moderna Exhibition showcases art from the Baltic region, mixing work from different epochs. The result is an exhibition without a guiding idea, so contemporary that it falls out of step with the times.
Last time it was called Copenhagen Art Festival. That is no longer its name, but the same five art venues are behind the plans for a large-scale exhibition in Copenhagen in the autumn of 2015.
While more and more artists explicitly enjoy making artworks that cannot be nailed down by a political program, art writers take even more pride in pinning it down.
Keren Cytter makes films and reflects a lot on herself – like everyone else today. Perhaps that is why she is so exciting.
With its rather random and arbitrary curatorial approach the exhibition Europe, Europe at Astrup Fearnley ends up saying very little about European art as such.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
