Festival of Accidents
‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
While Gaza is being razed to the ground, an exhibition strives to present Palestinian art to a global audience. Gaza Biennale’s Danish Pavilion opens this week.
Now screen The Andalusian Dog uncensored.
Iconic scene in The Andalusian Dog edited out.
Inuit must learn from tradition and living memory in order to look ahead, was the message at a recent seminar on Greenlandic performance traditions.
Matias Faldbakken will create memorial to the 2011 terror attack in Oslo.
Tori Wrånes, Klara Kristalova, and Benjamin Orlow will exhibit together at the 61st Venice Biennale in 2026.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
A new book uncovers the Nazi past of Swedens foremost postwar photographer.
What is worth going to war for? ask Inuk Silis Høegh and Asmund Havsteen-Mikkelsen in a 2004 work that is now more topical than ever.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
Palestinian artist and film director Kamal Aljafari visits Oslo for the opening of his retrospective at Kunstnernes Hus.
On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
Tori Wrånes takes the depressing spirit of our times seriously, without letting it dampen the mood.
For all its racket, Moderna Museet’s Mike Kelley-show fails to speak to the current moment.