The Saddest Show in Art History
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
‘I take my position of power very seriously’.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Reykjavík.
Which memories do we preserve together, and which do we allow to fade into oblivion? It’s in that murky space that the collective coyote operates.
Nordic nostalgia and a fraught sponsorship collaboration at Market Art Fair in Stockholm.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
The Nordic region’s leading art journal asks readers to contribute financially.
The beloved tradition, where we list the best shows in the Nordics, returns for the fifteenth year running.
Stockholm’s Gallery Weekend let it all hang out.
At last, Greenland’s largest cultural event is about the art and survival of Indigenous Peoples.
‘Sexuality has been fundamental to technological development’, says artist Mindy Seu.
In Paris, everything sparkles in a fascinating and terrifying way.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.