‘A farcical act of revenge’, according to Bogdan Szyber, who was unanimously rejected by a degree committee. For the first time in Sweden, a thesis in artistic research did not pass the public defence.
‘Being an editor requires an internal drive. It’s about working for something that’s bigger than yourself’, says Mariann Enge. She is Kunstkritikk’s new editor-in-chief.
CAMP’s Frederikke Hansen joins the curatorial team behind the next Documenta, while the Trampoline House becomes a ‘lumbung partner’.
On Saturday night, the statue of Hans Egede in Nuuk was defaced. Greenlandic artist Aqqalu Berthelsen passed on an anonymous statement from the group responsible.
Internal conflicts, crisis of management, and despair among staff and students. A new report paints a dark picture of Stockholm’s Royal Institute of Art.
The 2020 edition of the Nordic art fair Chart will feature women artists only, whose works will be displayed at the participating galleries’ own venues throughout the Nordic region
I have played a key role in a biennial that has accumulated a significant deficit. In times like these, when […]
Following the revelation that the biennial exceeded its 2019 budget by NOK 6 million, Per Gunnar Eeg-Tverbakk has resigned as curator of the Oslo Biennial.
MoMA in New York has asked the Norwegian authorities to reconsider demolishing the ‘Y-blokka’ building. Minister Nikolai Astrup believes that nothing new has emerged to change the decision.
In 2021, the Danish Pavilion at the Venice Biennale will feature social-realist drama, mythological references, and idyllic farmyard Romanticism. All courtesy of visual artist Uffe Isolotto.
The director of the National Museum of Norway, Karin Hindsbo, wants to use the museum’s increased acquisitions budget to enhance diversity in its collections.
‘The state has gotten permission to exercise complete discretion in any planning case, and that’s scary’, says Gisle Løkken, president of the National Association of Norwegian Architects.
The world becomes so depressingly flat when there’s no difference between a face and a selfie. But how do we keep reality from being swallowed by its image, and art from being swallowed by reality?
‘A farcical act of revenge’, according to Bogdan Szyber, who was unanimously rejected by a degree committee. For the first time in Sweden, a thesis in artistic research did not pass the public defence.
‘I am concerned with the complexities of human existence and with breaking down polarised opposition’, says this year’s Festival Exhibitor at Bergen Kunsthall, Joar Nango.
‘Being an editor requires an internal drive. It’s about working for something that’s bigger than yourself’, says Mariann Enge. She is Kunstkritikk’s new editor-in-chief.
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