Body, Code, Desire
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
Showcase images always feature a pair of hands presenting something to us, often another image.
Cultural theorist Paul Gilroy argues that today’s diasporic networks demand a new vocabulary.
This spring the Norwegian art scene is bursting with sci-fi, political vision, and largest-ever presentations of female artists.
Viewed from a range of perspectives, our top ten articles of 2025 all grapple with questions about art’s role in today’s challenging times.
Kunstkritikk’s Editor-in-Chief Mariann Enge revisits a year marked by emotional storms, memory work, and the scent of wood lingering on her hands.
Kunstkritikk’s Swedish editor on a year marked by fragile ways of seeing.
Ramshackle, utterly quiet, and cunning as a fox. Kunstkritikk’s editor in Copenhagen reveals the cosmologies she most adored in 2025.
Medieval psychedelia on jute canvas punched a hole through wall and time for Kunstkritikk’s Norwegian editor, Stian Gabrielsen.
This year, Joanna Nordin, Artistic Director of Bonniers Konsthall, cherished the positive effects of recession.
In 2025, artist Oliver Bak took a close look at the left hand of one of art history’s most famous painters.
Artist Damien Ajavon recalls a year scented with desire, doubt, sweat, perfume, and synthetic hair.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
Transgressive creatures in the Nordic Pavilion.
At the Danish Pavilion in Venice, the fertility crisis is displaced by an avalanche of sleek Scandinavian smut.