The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
The introductory days of Bergen Assembly served as a reminder that art’s engagement with social issues does not necessarily translate into audience engagement.
What is national identity in the wake of a climate apocalypse? Larissa Sansour on her contribution to the Danish Pavilion in Venice.
‘If you don’t have or don’t control material, you have to become material yourself’, says Arthur Jafa, currently showing at Kunstnernes Hus in Oslo.
Frida Orupabo’s integration of social media and white cube takes us back to the technological origins of cinema.
Every architect in Europe is hustling for a piece of the future Oslo. Their visions are wildly, overtly, perhaps clinically at odds with reality.
How can a film be a landscape? This is at the core of Swedish artist John Skoog’s first feature-length film, showcased at the CPH:DOX festival opening today.
Yngve Holen and Agatha Wara take an all-electric SUV for a test ride and talk about Holen’s exhibition that opens at Kunstnernes Hus in Oslo.
Art should play a pivotal role in discussions about values today, says Kirsten Langkilde, the new rector at The Royal Danish Academy of Fine Arts.
Haus der Kulturen der Welt in Berlin has started the last chapter of the broad-reaching trilogy that started with The Anthropocene Project in 2013. This time, it is all about the alphabet.
– Catastrophe is a recurring figure in Greek history, says Angela Melitopoulos, the artist behind the solo exhibition opening tonight at Kunsthal Charlottenborg in Copenhagen.
Art historian Mathias Danbolt believes that it is necessary to take a new look at Nordic art history from a decolonial point of view.