Body, Code, Desire
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
Showcase images always feature a pair of hands presenting something to us, often another image.
Cultural theorist Paul Gilroy argues that today’s diasporic networks demand a new vocabulary.
This spring the Norwegian art scene is bursting with sci-fi, political vision, and largest-ever presentations of female artists.
Viewed from a range of perspectives, our top ten articles of 2025 all grapple with questions about art’s role in today’s challenging times.
Kunstkritikk’s Editor-in-Chief Mariann Enge revisits a year marked by emotional storms, memory work, and the scent of wood lingering on her hands.
Kunstkritikk’s Swedish editor on a year marked by fragile ways of seeing.
Ramshackle, utterly quiet, and cunning as a fox. Kunstkritikk’s editor in Copenhagen reveals the cosmologies she most adored in 2025.
Medieval psychedelia on jute canvas punched a hole through wall and time for Kunstkritikk’s Norwegian editor, Stian Gabrielsen.
This year, Joanna Nordin, Artistic Director of Bonniers Konsthall, cherished the positive effects of recession.
In 2025, artist Oliver Bak took a close look at the left hand of one of art history’s most famous painters.
Artist Damien Ajavon recalls a year scented with desire, doubt, sweat, perfume, and synthetic hair.
Nordic nostalgia and a fraught sponsorship collaboration at Market Art Fair in Stockholm.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.