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A safari into the empire of illusion where shiny Amazon trucks drive through the streets and police helicopters hover in the sky.
A safari into the empire of illusion where shiny Amazon trucks drive through the streets and police helicopters hover in the sky.
Kunstkritikk’s Editor-in-Chief Mariann Enge rounds off this year’s Christmas countdown with three exhibitions from 2020 that gave her hope.
Which were the most crackerjack exhibitions of 2020 according to Kunstkritikk’s Swedish editor?
Kunstkritikk’s Danish editor looks back on a year in art that included mermaid zombies and a heartfelt glitch of a group exhibition.
Long live pataphysics! Kunstkritikk’s Norwegian editor, Stian Gabrielsen, shares his top three exhibitions of 2020.
Which were the artist Lap-See Lam’s most stunning exhibition experiences of 2020?
A new, albeit useless, entrance for the National Museum – Architecture is among artist Anders Eiebakke’s favourite works of 2020.
Which crisp see-through paintings stopped writer Nanna Friis in her tracks in 2020?
Which were the most memorable exhibitions in 2020, according to Ashik Zaman, curator at Konstnärshuset in Stockholm?
‘The most gorgeous, generous exhibition in the last 100 years.’ Artist Tal R looks back at 2020 in art.
Which were the preeminent art events of 2020? Intendant of Tromsø Kunstforening, Leif Magne Tangen, opines.
Which exhibitions sent art critic Lars-Erik Hjertström Lappalainen off the rails in 2020?
Magnus Karlsson Gallery gives a rare and extended glance at Bruno Knutman’s particular form of radical play in a show focused exclusively on his drawings.
Santiago Mostyn’s exhibition at Andréhn-Schiptjenko in Stockholm is a hypnotic spatial montage which reveals the contours of an emergent Black subjectivity.
In highly ornamented pieces that seduce the eye, Ebony G. Patterson touches deep colonial wounds and stresses the need to discuss them – without ending up in a muddle.
Partner of ex-minister used all available channels to throw suspicion on the play Ways of Seeing, according to Oslo District Court. Director Pia Maria Roll is relieved over the verdict passed on Friday.