Inside (For Klara Lidén)
At Kunsthalle Zürich, body, space, and language converged in quiet gestures charged with visceral energy.
At Kunsthalle Zürich, body, space, and language converged in quiet gestures charged with visceral energy.
Lars Fredrikson’s paintings are never flat.
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
Somewhere between Black figuration and the late Picasso, the Swedish art season is looking for relevance.
‘For Indigenous people it can be a little scary to think about erasure and removal when talking about monuments’, says collective New Red Order.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
The West succumbs to tech-oligarchy and neo-feudalism in artist Jakob Boeskov’s forthcoming novel.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
Palais de Tokyo struggles to revive the once passionate affair between American art and French thought.
Stockholm’s Gallery Weekend let it all hang out.
Britain’s bawdiest artist defanged in Helsinki.
Arthur Köpcke arrived in Copenhagen in 1953. Not long after, the city became a centre of the European avant-garde. When might that happen again?