In the Shadow of Spring
The Apocalypse revisited, pioneering sound art, and an unsettling proposal marks the Swedish art season.
The Apocalypse revisited, pioneering sound art, and an unsettling proposal marks the Swedish art season.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
Is Berlin losing its position as a haven for artists due to German repression of pro-Palestinian voices? Six Nordic artists and curators respond.
See which painters were at the top of their game in 2024, according to Copenhagen-based artist David Risley.
Kunstkritkk’s Nora Arrhenius Hagdahl on this year’s wildest shows in Stockholm.
The sound of a slide projector became a heartbeat in one of the exhibitions that inspired artist A K Dolven this year.
One of best exhibitions of the year reminded us that the world ends for someone every day. Artist Asta Lynge brings us today’s advent calendar entry.
In 2024, artist Jaakko Pallasvuo favoured cool nonchalance over political overdetermination.
The Apocalypse revisited, pioneering sound art, and an unsettling proposal marks the Swedish art season.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.