For More Glory Holes
Some words around what it meant when Cecilia Bjartmar Hylta abstracted the act of masturbation into a large vibrating dildo wall. Or, why we feel sick making art.
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While Our Children Watch TikTok
In Good Speaker, Elise Macmillan reconstructs from memory a radio commercial she heard during her early youth.
Mourning and Love
Blueish black density falls down from the top edge of the canvas. I’m absorbed into the infinite space. In the gap, the sound of the northern lights rustle.
Ten Billion Pixels
High resolution images don’t make us more perceptive. Quite the contrary.
Death, Body, Emotion
On Magnus Enckell’s canvases, flesh and bone pile up in formations that spell out words I can read, but not yet write.
Agency in Every Word
For artist Simona Barbera, sound has come to be more about its consequences.
Evocations
In a winter of no content, can memories of artworks activate our sense of wonder when the works themselves are absent?
Collapsed Signal
A safari into the empire of illusion where shiny Amazon trucks drive through the streets and police helicopters hover in the sky.
24 December
Kunstkritikk’s Editor-in-Chief Mariann Enge rounds off this year’s Christmas countdown with three exhibitions from 2020 that gave her hope.
23 December
Which were the most crackerjack exhibitions of 2020 according to Kunstkritikk’s Swedish editor?
22 December
Kunstkritikk’s Danish editor looks back on a year in art that included mermaid zombies and a heartfelt glitch of a group exhibition.
21 December
Long live pataphysics! Kunstkritikk’s Norwegian editor, Stian Gabrielsen, shares his top three exhibitions of 2020.
