An Inconvenient Body
‘You can never guarantee that it won’t be uncomfortable’, says performance artist Marthe Ramm Fortun.
‘You can never guarantee that it won’t be uncomfortable’, says performance artist Marthe Ramm Fortun.
“There is art before Gaza and art after Gaza,” Dr. Mitri Raheb told us when we visited Palestine. I knew what he meant.
Breaking news from art history, the duty to speak up against genocide, and conversations on art criticism. These are our most popular articles from 2023.
Kunstkritikk’s editor-in-chief, Mariann Enge, recommends two ongoing exhibitions and thinks back on one she fervently wishes she could see again.
Who was nice and who was naughty? Kunstkritikk’s Swedish editor shares his 2023 list.
A visit to a flower shop was one of the strangest encounters of the year, reports Kunstkritikk’s editor in Denmark.
Kunstkritikk’s Norwegian editor, Stian Gabrielsen, picks the three best exhibitions of the year.
Warm humor and dark premonitions haunted artist Sara Ekholm Eriksson’s year in art.
Which exhibitions in the Nordic region were the best of the year? Artist Tore Hallas offers his selection.
Get on a train to Paris! Artist Louise Jacobs presents her top three exhibitions of the year.
Which shows made a lasting impression on Artipelag-director Bo Nilsson?
A red-headed bog body from the Iron Age plays the main role in one of this year’s greatest exhibitions, according to artist Kristoffer Akselbo.
‘You can never guarantee that it won’t be uncomfortable’, says performance artist Marthe Ramm Fortun.
In Denmark, the International Women’s Day was about women of the nation cast in bronze and women of the desert of flesh and blood.
Paul McCarthy meets Scandinavian collectivism in Josefin Arnell’s films at Index in Stockholm.
“There is art before Gaza and art after Gaza,” Dr. Mitri Raheb told us when we visited Palestine. I knew what he meant.