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– It would have amounted to self-censorship not to integrate the social and political into my work, says German-born New York-based artist Hans Haacke to Kunstkritikk.
A sudden decision by Lund’s Board of Culture is interpreted by many as a political move to shut down one of Sweden’s most renowned art institutions.
Jane Jin Kaisen’s exhibition at IAC in Malmö suggests the impossibility of representing Korea’s traumatic past, but argues for the necessity of recording its effects.
The 25th anniversary of Texte zur Kunst was celebrated with a conference in Berlin: a star-studded programme featuring friends of the journal. But how can you discuss canon when everyone’s part of the club?
At the inauguration of the conference Nordic Avant-Garde 1975-2000 in Copenhagen today, Ellef Prestsæter proposes a rethinking of the relation between avant-gardes and networks.
Gustav Metzger’s work at Kunsthall Oslo and Kunstnernes Hus poses important questions about both material activism and human/non-human agency.
Excellent co-operation between artists’ associations and united support from the centrist parties and the opposition proved decisive in winning Norwegian artists a 10% pay rise, says NBK chairwoman Hilde Tørdal.
Tom Eccles visited Oslo recently and reflected on his time with the Public Art Fund and CCS Bard in a public lecture. – One has to adapt while staying critical, he states in this interview.
The retrospective format is feared by most artists, but not by Dominique Gonzalez-Foerster: her retrospective in Paris deals fearlessly with past and future alike.
Chto Delat captures political apathy at Gävle Konstcentrum, but the works need a more speculative form to better approach the disjointed subject they postulate.
Vibeke Tandberg’s exhibition Infinite Signature at OSL Contemporary reaffirms the artist’s tremendous will to self-destruct, but is she truly ready to let go?
– CIMAM needs a board of directors that actively opposes censorship, says the director of Henie Onstad Kunstsenter, Tone Hansen. Three of the forum’s board members have resigned in protest against the president Bartomeu Marí.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
