‘In order to move on, you must also turn back’, says Lisa Rosendahl, curator of the 10th edition of the Göteborg Biennial, opening this Saturday.
Can Tori Wrånes’s melancholic fairy-feminism save us from patriarchy?
Maria Lindberg’s exhibition at Malmö Konsthall is a textbook example of how stripped-down everyday scenarios produce absurd effects.
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Fredrik Svensk.
Lina Selander’s exhibition at Göteborg’s Konsthall shows that she is an enlightenment artist. Her work is about specific ways of creating distinctions and stopping the flow of images.
Nina Möntmann is a curator and theorist, and Goran Hassanpour is an artist. We met them for breakfast at Hotel Orion.
This year’s Moderna Exhibition showcases art from the Baltic region, mixing work from different epochs. The result is an exhibition without a guiding idea, so contemporary that it falls out of step with the times.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
