Stian Gabrielsen er kritiker og norsk redaktør for Kunstkritikk, bosatt i Oslo.
Stian Gabrielsen is a critic and the Norwegian editor of Kunstkritikk, based in Oslo.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Halloween vibes at the Munch Museum as Kim Hankyul gives form to our increasingly intimate relation to media.
Inuuteq Storch captures the life-or-death struggle between indigenous identity and its image.
This spring the Norwegian art scene is bursting with sci-fi, political vision, and largest-ever presentations of female artists.
Medieval psychedelia on jute canvas punched a hole through wall and time for Kunstkritikk’s Norwegian editor, Stian Gabrielsen.
‘We all face similar challenges when it comes to building sustainable organisations,” said Vilnius-based editor Vitalija Jasaitė.
The Norwegian art scene is awash in oil on canvas this autumn.
Ghost photography has resurfaced in museum image banks.
The Norwegian art spring displays the horny energy of an 80s sitcom.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
Transgressive creatures in the Nordic Pavilion.
At the Danish Pavilion in Venice, the fertility crisis is displaced by an avalanche of sleek Scandinavian smut.
