Stian Gabrielsen er kritiker og norsk redaktør for Kunstkritikk, bosatt i Oslo.
Stian Gabrielsen is a critic and the Norwegian editor of Kunstkritikk, based in Oslo.
From Sámi art seeking to heal colonial wounds to spray-painted bedrooms and a brand-new museum – even as budgets shrink, the Norwegian art scene still offers a lavish autumn spread.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Halloween vibes at the Munch Museum as Kim Hankyul gives form to our increasingly intimate relation to media.
Inuuteq Storch captures the life-or-death struggle between indigenous identity and its image.
This spring the Norwegian art scene is bursting with sci-fi, political vision, and largest-ever presentations of female artists.
Medieval psychedelia on jute canvas punched a hole through wall and time for Kunstkritikk’s Norwegian editor, Stian Gabrielsen.
‘We all face similar challenges when it comes to building sustainable organisations,” said Vilnius-based editor Vitalija Jasaitė.
The Norwegian art scene is awash in oil on canvas this autumn.
Ghost photography has resurfaced in museum image banks.
The Norwegian art spring displays the horny energy of an 80s sitcom.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.
