All articles by Stian Gabrielsen

Art and Evil

The resurgence of Surrealism in contemporary art, with this year’s Venice Biennale as a case in point, raises a dilemma: should morality still subsume itself to desire?

Recently published

Insatiable Us

In New Visions, the considered triennial at Henie Onstad Kunstsenter, photography and new media are complicit in the exploitation of the planet’s resources.

In the Wait

Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.