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– Art has a kind of inherent Communist perspective, says Mikkel Bolt on the occasion of his new book. However, he is sceptical about art’s contribution to the revolution.
“We love trouble,” says Bjørnstjerne Christiansen from SUPERFLEX. Eight different curators challenge the group’s 20 years of work in an innovative retrospective at Kunsthal Charlottenborg in Copenhagen.
New quick method: how gossip makes you and the art world more class conscious. American art critic rages: the market’s shocking prices and the latest curatorial coup.
By appointing Enwezor the Board of Directors of the Venice Biennial have secured themselves one of the most experienced figures on the global biennial scene.
Philippe Parreno’s retrospective solo exhibition at Palais de Tokyo in Paris is neither a retrospective nor a solo show. The old works are new, and he did not create all of them himself.
This Friday, the 10th anniversary of Kunstkritikk is celebrated at Kunstnernes Hus in Oslo. All are welcome.
The question of contemporary art, Peter Osborne claims in his new book, is not what art is today, but what we should call art in a qualified sense right now, and which arguments we can muster for this.
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Are exhibitions created by artists or curators? Bjarke Hvass Kure discusses big issues at Years in two parallel solo exhibitions staged as exhibition-historical crime scenes.
Arctic at Louisiana is a fantastic Sunday expedition if you accept that the overall framework focuses on big thoughts, not the big problems, and that it has snow-blind spots as far as the art is concerned.
With the appointment of Katya García-Antón, OCA continues its tradition for recruiting its directors internationally.
At the age of 33 David Lieske stopped making art. Now, at 34, he is back with 59 new pictures based on a gaping hole within the artist’s own “self image”.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
