If truth is the first casualty of war, art is one of the next. This year’s Kyiv Biennial is a struggle of resistance.
The objects have vanished from Simon Dybbroe Møller’s display cases at Palace Enterprise. This only makes the desire for them all the stronger.
Not all instruments are tuned to perfection in Frederik Næblerød’s Masquerade at Gl. Holtegaard. I danced anyway.
A retrospective in Marseille wrests Algerian artist Baya free from the European tradition and offers an explicitly postcolonial and feminist reading of her work.
The autumn exhibition season comes into full bloom this week. The lushness is particularly striking among female artists – the young and the overlooked.
Everything moves at Copenhagen Contemporary. But movement is, as we know, relative when we can’t stand still ourselves.
Inuuteq Storch will be the first artist from the North Atlantic region of the Danish commonwealth to represent Denmark at the Venice Biennale.
In Odense Aka Høegh draws expressive lines between Greenlandic mythology and postcolonial identity, and points to the interconnectedness of everything.
Occult rituals meet techno raves as curator and Gothic high priestess Agnes Gryczkowska conjures up healing communities in Paris.
Who will save the city from the rich? A spectacular venue in central Copenhagen forms a tight framework for Vermilion Sands’s softly curated show.
Dana Schutz paints human foolishness with expressive gestures, large formats, and thousands of references. Yet it feels as if something remains unsaid.
Institutional critique or crime scene? Finn Reinbothe’s show at Avlskarl Gallery leaves most things up in the air.
Swedish-born Valeria Montti Colque will represent Chile at the 60th Venice Biennial, an event of great symbolic significance for the Chilean diaspora.
If truth is the first casualty of war, art is one of the next. This year’s Kyiv Biennial is a struggle of resistance.
Edith Hammar takes us to the queer Helsinki of the 1950s.
Curators’ efforts to blur formal hierarchies tend to veil the power they themselves wield.
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