Louisiana’s grand Pipilotti Rist show presents 30 years of intimate exchanges between body and screen, from low-fi punk to immersive installations.
Art should play a pivotal role in discussions about values today, says Kirsten Langkilde, the new rector at The Royal Danish Academy of Fine Arts.
Helga Christoffersen’s delectable group show at Galleri Susanne Ottesen leaves me angry, excited, and hungry.
– Catastrophe is a recurring figure in Greek history, says Angela Melitopoulos, the artist behind the solo exhibition opening tonight at Kunsthal Charlottenborg in Copenhagen.
Elmgreen & Dragset’s minimalist starfish installation in Paris resonates directly with the city’s self-image after the terrorist attack in 2015.
– It was quite an eye-opener to meet people from a completely different system, says gallerist Nicolai Wallner about his first encounter with art.
Tom of Finland meets Clan of the Cave Bear in Rasmus Myrup’s first-ever institutional show at Tranen.
– The art world has lost its bearings and forgotten that it’s all about art, says David Risley, who is now closing his Copenhagen gallery after 20 years in the business.
– When I see a spider, do I smack it?, asks Otobong Nkanga, whose exhibition at Kunsthal Aarhus shows how all negotiations with one’s surroundings are political in nature.
The brighest superstars of contemporary art drag the past through a wormhole into an uncertain future in Welcome Too Late at Kunsthal Charlottenborg in Copenhagen.
With his nonchalant staging of Warhol’s personal possessions, Alex Da Corte seems to ask if we have unrealistic expectations of the objects we surround ourselves with.
In constellations of kitschy furniture, Henrike Naumann’s show at KOW in Berlin addresses the still-fraught aftermath of German reunification.
How can a film be a landscape? This is at the core of Swedish artist John Skoog’s first feature-length film, showcased at the CPH:DOX festival opening today.
Tiril Hasselknippe’s brew of blissful neo-materialism and banal video game aesthetics is just the right amount of a good thing, i.e. too much.
The father of modern curating, Harald Szeeman, is memorialised at Castello di Rivoli in Turin with a lavish presentation of obsessive archiving and a hint of kitsch.
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