Angels disappearing in the fog and an exhibition so mellow you felt like having tea with it. Louise Steiwer looks back at the year’s best art experiences.
Dina El Kaisy Friemuth’s insistently minimalistic exhibition shows us what remains when we repatriate stolen artefacts.
Extremely unpleasant exhibition in Berlin. Are Mire Lee’s works innocent victims of H. R. Giger’s perversions, or is this a case of mutual fetishism.
‘If a culture is not active it ossifies and becomes a museum exhibit. And if I’m not allowed to use it, who is?’ Jessie Kleemann performs Greenland’s cultural shifts with blubber, blood, and beads.
Tomomi Yamakawa’s “group show” gently re-enchants natural and industrial design through small and delicate interventions.
At Sorø Art Museum, Peter Bonde engages with the past and role models in an exhibition that refuses to be retrospective.
Which exhibitions will we remember from 2020? Today, art critic Louise Steiwer responds.
An artistic parade and healing session undertaken Sunday aimed to remove the social housing community AKB Lundtoftegade from the so-called ghetto list – a list with fateful consequences.
The liberating potential of partying forms the focal point of Esben Weile Kjær’s outstanding performance, which portrays millennials as a generation poised between anxiety and self-staging.
Criticism has moved from the daily newspapers to niche media. This should be reflected in Denmark’s new media policy agreement, says Kamilla Löfström of United Critics Denmark.
CAMP’s Frederikke Hansen joins the curatorial team behind the next Documenta, while the Trampoline House becomes a ‘lumbung partner’.
The 2020 edition of the Nordic art fair Chart will feature women artists only, whose works will be displayed at the participating galleries’ own venues throughout the Nordic region
Facing yet another Covid spring, Sweden’s exhibition season will be locally produced and unsensational. Nevertheless, there are some gems to look forward to.
The Light & Space movement takes centre stage in Copenhagen Contemporary’s ‘biggest exhibition to date’, but this vast sea of light drowns out the works and their ostensible magic.
Our ten most popular articles from 2021.
Kunstkritikk’s Editor-in-Chief Mariann Enge shares three of the art events that were most important to her this year.
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