The 2020 edition of the Nordic art fair Chart will feature women artists only, whose works will be displayed at the participating galleries’ own venues throughout the Nordic region
The artists and the mentally ill have a fount of relevant experiences which the whole community can learn from in the current crisis, says Jakob Jakobsen.
The impact of the coronavirus will be felt for years to come, says a range of key players.
The Council for Visual Arts has introduced gender quotas for all art purchases made by the City of Copenhagen. Council member and director of Kunsthal Charlottenborg Michael Thouber hopes that others will follow.
Swedish abstract painters Ragna Bley and Inger Ekdahl share an interest in automated processes. But at Malmö Konsthall, their works do not complement each other.
Ann Veronica Janssens offers us a lens through which to see the world anew. Banal, perhaps, but also extremely effective.
Anne Haaning’s video montage is an elegant reminder of how an important chapter in Danish colonial history disappeared from our collective memory.
Here are the year’s three most memorable art events according to Louise Steiwer, one of Kunstkritikk’s regular contributors.
The Danish Arts Foundation changes its procedure: now, artists can apply to represent Denmark at the 2021 Venice Biennale.
Partnership between Kunsten in Aalborg and Louisiana in Humlebæk will make Poul Erik Tøjner responsible for programming at both venues. The job as director in Aalborg is posted anew.
Lea Porsager combines the zany with the stringent as she casts herself as a sex-obsessed shaman, conjuring images of things that are not visible to the naked eye.
Our present day has a desire for images so fierce that it threatens to destroy us, according to Irena Haiduk, whose exhibition at Kunsthal Charlottenborg is shrouded in total darkness.
Bruno Latour’s current exhibition at ZKM | Center for Art and Media in Karlsruhe urges us to discover where we live before it’s too late.
The 2020 edition of the Nordic art fair Chart will feature women artists only, whose works will be displayed at the participating galleries’ own venues throughout the Nordic region
I have played a key role in a biennial that has accumulated a significant deficit. In times like these, when […]
Following the revelation that the biennial exceeded its 2019 budget by NOK 6 million, Per Gunnar Eeg-Tverbakk has resigned as curator of the Oslo Biennial.
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