Who steps up when the world is running amok? Kåre Frang draws a razor-sharp portrait of our era’s frayed nervous systems.
Greenland’s art scene has arrived. Shamans assist the curators, and the world’s first-ever national gallery devoted to the art of an Indigenous People is taking shape in Nuuk.
Kunstkritikk’s Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
At last, Greenland’s largest cultural event is about the art and survival of Indigenous Peoples.
Like a safety pin in a school uniform, Sofie Winther’s kindergarten is an emblem of punk resistance.
There is widespread frustration with what contemporary art has become, says the British critic Dean Kissick. Now his much debated 2024 essay is being published in an extended Danish version.
At the Copenhagen art festival Under, the young scene is clearly in control. But is it also a bit too self-aware?
Inuit must learn from tradition and living memory in order to look ahead, was the message at a recent seminar on Greenlandic performance traditions.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Eliyah Mesayer’s fictional state has pitched its black tents in Aarhus. For those already familiar with Illiyeen, the project appears to be stagnating. Perhaps that is the point.
What is worth going to war for? ask Inuk Silis Høegh and Asmund Havsteen-Mikkelsen in a 2004 work that is now more topical than ever.
Kunstkritikk’s Louise Steiwer looks back on a year of diaries sealed in bronze and a ghastly outlook on nature camouflaged by Romantic landscape paintings.
Nordic nostalgia and a fraught sponsorship collaboration at Market Art Fair in Stockholm.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
