Nora Joung er kunstner og kritiker, basert i Oslo. Hun er en av Kunstkritikks faste bidragsytere.
The Intimist
Alice Neel’s paintings brim with immense curiosity and feeling for the lives of her fellow humans.
Alice Neel’s paintings brim with immense curiosity and feeling for the lives of her fellow humans.
Ukrainian-born artist Lesia Vasylchenko on image politics, predictive technologies, and the burial of the future.
The most interesting aspect of Eliza Douglas’s exhibition at VI, VII in Oslo is how little the artist labours for it.
In a field where so many desire high visibility, Mickael Marman addresses the discomfort of being recognised.
What were your most memorable art experiences of 2019? Artist and writer Nora Joung gives her bid.
In Steinar Haga Kristensen’s solo show at Kunstnerforbundet in Oslo the characters haul art and art history around as if they were both a burden and a source of nourishment.
Sandra Mujinga’s exhibition Real Friends at Oslo Kunstforening is well-orchestrated, feverish, and ultimately has faith in the spectator. In the form of a gorilla.
– If coexistence was imaginable then, where are we now? That is the question posed by curator Nada Raza in the exhibition The Missing One, opening at OCA in Oslo today.
Through her work with the organisation W.A.G.E., Lise Soskolne is attempting to change the working conditions for American artists. In Oslo she exhibits her own paintings for the first time in 14 years.
– I use lower case letters because they are beautiful and anti-hierarchic, says Jean-Michel Wicker, who opens the solo exhibition futurbella in Bergen Kunsthall tomorrow.
Swedish-born Valeria Montti Colque will represent Chile at the 60th Venice Biennial, an event of great symbolic significance for the Chilean diaspora.
If truth is the first casualty of war, art is one of the next. This year’s Kyiv Biennial is a struggle of resistance.
Edith Hammar takes us to the queer Helsinki of the 1950s.
Curators’ efforts to blur formal hierarchies tend to veil the power they themselves wield.