Pernille Albrethsen er redaktør for Kunstkritikk i Danmark. Født 1971, kritiker og redaktør. MA i Moderne kultur fra Københavns Universitet og New York University. Virker også som kunstkritiker på Weekendavisen.
Eliyah Mesayer’s state for the stateless is not rooted in a specific place or geographic site, but in human encounters and alchemical connections.
Jacob Fabricius and Lars Bang Larsen will become joint directors of Art Hub Copenhagen.
After a couple of turbulent years, The Royal Danish Academy of Fine Arts has a new rector: Lars Bent Petersen.
Minister of Culture Joy Mogensen wants to strengthen management in art education, set up boards of directors, and counteract overly academised teaching. At best, this breaks with decades of technocracy.
Despite rather uncertain prospects, these are the art events we look forward to in Norway, Sweden, and Denmark.
Kunstkritikk’s Danish editor looks back on a year in art that included mermaid zombies and a heartfelt glitch of a group exhibition.
The exhibition featuring Goodiepal’s collection is also a retrospective of ‘Goodiepal’ the phenomenon, which is also a school, a band, and a refugee organisation.
‘The institution should be shaped around artistic practice, not the other way around’, says Rhea Dall, new head of Overgaden in Copenhagen.
The autumn season on the Danish art scene is already well underway and looking very promising – with women, witch hunts, and an eccentric baron on the menu.
In 2021, the Danish Pavilion at the Venice Biennale will feature social-realist drama, mythological references, and idyllic farmyard Romanticism. All courtesy of visual artist Uffe Isolotto.
Soft architecture and woven columns which bear no loads. Viewing Ragna Braase at the National Gallery of Denmark is seeing art history being written.
While Danish museums celebrate record-high visitor numbers, others want to shut down the Ministry of Culture. In a way, the two are connected. Also, institutional collaborations have become the order of the day.
Momentum’s director, Dag Aak Sveinar, responds to allegations of sabotage put forth in an open letter from dismissed curator Théo-Mario Coppola.
Mamma Andersson oscillates between landscape drama and silent homes in a major solo show at Louisiana presenting confident paintings with a laid back vibrating undercurrent.
The Momentum Biennial opens this weekend against the will of its curator, Théo-Mario Coppola, who was recently fired.
In Matthew Barney’s comeback at the Hayward in London, self-mythologising has given way to a dark and icy world where environmental violence prevails.
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