Pernille Albrethsen, f. 1971, kritiker, forfatter og redaktør for Kunstkritikk i Danmark. Cand.mag. i Moderne kultur fra Københavns Universitet og New York University. Virker også som kunstkritiker på Weekendavisen.
Klara Lidén has turned professional, keeping her body strong and her gaze fierce. Will she still get hurt if she slips off the knife-edge she’s dancing on?
Geopolitics looms over everything in Denmark. But not on the art scene, which is serving up glam-rock, food happenings, and solo shows featuring international heavyweights.
Ramshackle, utterly quiet, and cunning as a fox. Kunstkritikk’s editor in Copenhagen reveals the cosmologies she most adored in 2025.
The beloved tradition, where we list the best shows in the Nordics, returns for the fifteenth year running.
Lutz Bacher shook great works out of her sleeve with an effortlessness impossible to fake.
A new season is ready to be gobbled up as a shift in mood seems imminent on the Danish art scene.
‘For Indigenous people it can be a little scary to think about erasure and removal when talking about monuments’, says collective New Red Order.
Copenhagen is currently home to several semi-aquatic reptiles. They speak volumes about attitudes and mummification. And of what an exhibition may be.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
New institutions, new names for old institutions, and new spring exhibitions on the Danish scene.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
Nordic nostalgia and a fraught sponsorship collaboration at Market Art Fair in Stockholm.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
