Pernille Albrethsen er redaktør for Kunstkritikk i Danmark. Født 1971, kritiker og redaktør. MA i Moderne kultur fra Københavns Universitet og New York University. Virker også som kunstkritiker på Weekendavisen.
Buffalo AKG Art Museum in upstate New York will open in 2022 and plans to boast the largest collection of Nordic art outside the region.
Horses, lions, ants and potatoes – and a new minister of culture with
gunpowder residue on her hands. The Danish art scene’s autumn season is live on
air.
Eliyah Mesayer’s state for the stateless is not rooted in a specific place or geographic site, but in human encounters and alchemical connections.
Jacob Fabricius and Lars Bang Larsen will become joint directors of Art Hub Copenhagen.
After a couple of turbulent years, The Royal Danish Academy of Fine Arts has a new rector: Lars Bent Petersen.
Minister of Culture Joy Mogensen wants to strengthen management in art education, set up boards of directors, and counteract overly academised teaching. At best, this breaks with decades of technocracy.
Despite rather uncertain prospects, these are the art events we look forward to in Norway, Sweden, and Denmark.
Kunstkritikk’s Danish editor looks back on a year in art that included mermaid zombies and a heartfelt glitch of a group exhibition.
The exhibition featuring Goodiepal’s collection is also a retrospective of ‘Goodiepal’ the phenomenon, which is also a school, a band, and a refugee organisation.
‘The institution should be shaped around artistic practice, not the other way around’, says Rhea Dall, new head of Overgaden in Copenhagen.
The autumn season on the Danish art scene is already well underway and looking very promising – with women, witch hunts, and an eccentric baron on the menu.
In 2021, the Danish Pavilion at the Venice Biennale will feature social-realist drama, mythological references, and idyllic farmyard Romanticism. All courtesy of visual artist Uffe Isolotto.
The 11th Gothenburg Biennial tells a powerful story about seafaring, colonialism, and racism, but suffers from a certain artistic and intellectual predictability.
With doomsday vibes in Berlin, blockchains in Hamburg, and an art scene brat pack in Zurich, there’s every reason to renew your BahnCard. Here’s a bird’s-eye view of the autumn’s exhibitions north of the Alps.
With the show Hummings, KØS Museum shows its ambitions to move its programme towards public space, but delivers unconvincing results.
The idyllic setting of Momentum 11 threatens to drown out the biennial’s well-meaning gestures towards activism.
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