Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Serlachius in Finland goes all in with a sprawling, amusing and disturbing show about masks.
Tschabalala Self’s Finnish debut is a celebration of the artist’s neighbourhood in Harlem.
Nina Beier reminds us that no relationship should be considered unexpected in the 21st century.
Edith Hammar takes us to the queer Helsinki of the 1950s.
Ryoji Ikeda’s exhibition in Helsinki is a perfectly executed sensory manipulation.
Three exhibitions in Helsinki attest that tradition still weighs heavily on Finnish photography, despite the new generation’s playful and crowd-pleasing attitude.
Painter, draughtsman, museum director, thinker… The multifaceted Romanian artist Horia Bernea is featured in a dreamy retrospective at Kohta in Helsinki.
The second edition of the Helsinki Biennial is soaked in techno-new age mumbo-jumbo.
At Moderna Museet, Nan Goldin’s unyielding world of images is given a luminous setting.
For six decades, Sinikka Kurkinen has created great works without caring about the demands of the art world.
Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
Allegations of sexual misconduct in a Vaginal Davis work at Moderna Museet raise questions about art’s toxic culture of privilege.
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