On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
The Finnish model’s posthumous career as an artist shows us the value of a really good story. Yet, her exhibition at Galerie Forsblom in Helsinki is hard to grasp.
Tori Wrånes, Klara Kristalova, and Benjamin Orlow will exhibit together at the 61st Venice Biennale in 2026.
Elina Merenmies’s retrospective in Turku draws on her Christian Orthodox faith to deepen our understanding of an oeuvre reverberating with grace.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Serlachius in Finland goes all in with a sprawling, amusing and disturbing show about masks.
Tschabalala Self’s Finnish debut is a celebration of the artist’s neighbourhood in Harlem.
Nina Beier reminds us that no relationship should be considered unexpected in the 21st century.
Edith Hammar takes us to the queer Helsinki of the 1950s.
Ryoji Ikeda’s exhibition in Helsinki is a perfectly executed sensory manipulation.
Three exhibitions in Helsinki attest that tradition still weighs heavily on Finnish photography, despite the new generation’s playful and crowd-pleasing attitude.
Painter, draughtsman, museum director, thinker… The multifaceted Romanian artist Horia Bernea is featured in a dreamy retrospective at Kohta in Helsinki.
‘For Indigenous people it can be a little scary to think about erasure and removal when talking about monuments’, says collective New Red Order.
In Malmö, Kiki Smith delivers a profound case for art as a form of ecological and existential inquiry.
The 13th edition of the Momentum Biennial in Moss is a rarity: a large-scale presentation of sound art.
Subversion and humour are back in the 13th Berlin Biennale, but the show is best where it’s most serious.
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