Transgressive creatures in the Nordic Pavilion.
Britain’s bawdiest artist defanged in Helsinki.
On a protected island, climate friendly works are presented without doomsday rhetoric.
The Finnish model’s posthumous career as an artist shows us the value of a really good story. Yet, her exhibition at Galerie Forsblom in Helsinki is hard to grasp.
Tori Wrånes, Klara Kristalova, and Benjamin Orlow will exhibit together at the 61st Venice Biennale in 2026.
Elina Merenmies’s retrospective in Turku draws on her Christian Orthodox faith to deepen our understanding of an oeuvre reverberating with grace.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Serlachius in Finland goes all in with a sprawling, amusing and disturbing show about masks.
Tschabalala Self’s Finnish debut is a celebration of the artist’s neighbourhood in Harlem.
Nina Beier reminds us that no relationship should be considered unexpected in the 21st century.
Edith Hammar takes us to the queer Helsinki of the 1950s.
Ryoji Ikeda’s exhibition in Helsinki is a perfectly executed sensory manipulation.
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
Transgressive creatures in the Nordic Pavilion.
At the Danish Pavilion in Venice, the fertility crisis is displaced by an avalanche of sleek Scandinavian smut.
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
