Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
The Munch Museum was recently the scene of a climate-activist performance stunt.
Hanan Benammar’s recent performance in Harstad, This Is Our Body, staged a collective reckoning with the legacy of Greenland’s first coloniser.
When the Munch Museum, spearheaded by Director Stein Olav Henrichsen, uses Munch as a kind of zombie influencer to sell cars, it has crossed a line.
Thomas A. Østbye’s documentary film about the first Norwegian climate lawsuit draws a poignant picture of the authorities’ reluctance to act.
The new Munch Museum will open in the heart of Oslo this autumn with Tracey Emin, Sandra Mujinga, and black metal band Satyricon all joining the party. Still, someone has to be a party pooper.
The Nitja Centre for Contemporary Art’s decision to centre its exhibition on one of the icons of the Black Lives Matter movement is a move that requires commitment.
Despite rather uncertain prospects, these are the art events we look forward to in Norway, Sweden, and Denmark.
Few will feel any great desire to look back on 2020. Even so, the year of the COVID-19 pandemic provided some memorable artistic highlights in the Nordic countries.
Kunstkritikk’s Editor-in-Chief Mariann Enge rounds off this year’s Christmas countdown with three exhibitions from 2020 that gave her hope.
Judging by statements made by the heads of Norwegian art institutions in the wake of this year’s Black Lives Matter protests, lack of will is not the issue when striving for greater diversity.
Joar Nango’s festival exhibition at Bergen Kunsthall is an inspiring invitation to expand our minds and knowledge and to carry out fundamental change.
On Saturday night, the statue of Hans Egede in Nuuk was defaced. Greenlandic artist Aqqalu Berthelsen passed on an anonymous statement from the group responsible.
Artist and author Susanne Hætta presents her favourite exhibitions of 2021.
Art critic Christine Antaya lists her three favorite exhibitions in 2021.
Which exhibitions were the most memorable in 2021? Today, artist Lilibeth Cuenca Rasmussen picks her favourites.
The artist collective DIS challenges the manic image economies of our contemporary with an entertaining and critical biennial by replacing the politics of representation with one of circulation.