Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
Whales Are Not Singing Anymore
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
Mariann Enge
All articles by Mariann Enge
A Time of Transition
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
Most Read
Viewed from a range of perspectives, our top ten articles of 2025 all grapple with questions about art’s role in today’s challenging times.
24 December
Kunstkritikk’s Editor-in-Chief Mariann Enge revisits a year marked by emotional storms, memory work, and the scent of wood lingering on her hands.
ʻWe are building a narrative from fragmentsʼ
Architect, historian, and curator Nadi Abusaada visits Oslo to give a lecture on Palestinian art before the Nakba.
The Forest Is Not What It Seems
The 13th edition of the Momentum Biennial in Moss is a rarity: a large-scale presentation of sound art.
Nextgen Lethality
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
I Want a Courageous Museum
A recent international panel on art institutions called for more solidarity in the art field.
Most Read 2024
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
24 December Mariann Enge
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
We Need to Talk About Germany
Is Berlin losing its position as a haven for artists due to German repression of pro-Palestinian voices? Six Nordic artists and curators respond.
Inner Revolution
Ilavenil Vasuky Jayapalan’s exhibition Eezhavati at Kunsthall Oslo, serves as a space for gathering strength.
