Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
It is becoming increasingly obvious that the national pavilions at the Venice Biennale are a problematic and dated premise for international contemporary art.
Breaking news from art history, the duty to speak up against genocide, and conversations on art criticism. These are our most popular articles from 2023.
Kunstkritikk’s editor-in-chief, Mariann Enge, recommends two ongoing exhibitions and thinks back on one she fervently wishes she could see again.
Nearly fifty of the magazine’s contributors demand the reinstatement of David Velasco, who lost his job after publishing an open letter calling for a ceasefire in Gaza.
When Western leaders fail to condemn Israel’s bombing of civilian Palestinians in Gaza, it becomes the people’s responsibility – and the responsibility of artists and cultural workers – to protest.
With the introduction of tuition fees for international students, Norway has become one of the most heavily guarded towers in Fortress Europe.
Norwegian proposals for increased funding for periodicals and criticism should not only be heeded by the authorities, but also serve as inspiration for colleagues in other countries.
The National Museum of Norway must take responsibility for contextualising Christian Krohg’s controversial nineteenth-century painting Leiv Eiriksson Discovering America.
Suddenly, you know someone in Oslo who has started a new centre for contemporary art in Lusaka.
The war in Ukraine and international biennials put their mark on our list of most popular articles for 2022.
After a year of experience overload, Kunstkritikk’s Editor-in-Chief Mariann Enge singles out three exhibitions she cannot forget.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
Allegations of sexual misconduct in a Vaginal Davis work at Moderna Museet raise questions about art’s toxic culture of privilege.