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Why the unlikely trio of Gabriel Kuri, Knut Henrik Henriksen and Richard Tuttle succeed in making a convincing case for the autonomy of art, even in site-specific interventions in Bergen.
A vision of diversity is not enough. KORO must continue to strive to achieve cultural diversity.
– Nothing could ever be «poetic», and poetry is not an empty container that you could fill with meaning, says Karl Larsson, whose new book is released along with an exhibition at Galleri Signal in Malmö.
The fierce public debate over a possible Guggenheim Helsinki initiated Checkpoint Helsinki, an artist-drafted proposal for a new institution now making its first open call for pilot productions.
Angela Novi’s exhibition at the Living Art Museum in Reykjavik doesn’t pull its political punches, nor does it compromise its artistic credentials.
The successful travelling exhibition The Modern Eye was opened at the Munch museum last week. The Norwegian version of the exhibition includes a little-known newspaper vignette based on The Scream.
The Renaissance Society in Chicago names Solveig Øvstebø its first new executive director in nearly 40 years.
– An interesting museum brings current issues in society to the fore to be debated in public, says Pilvi Kalhama, the new director of Espoo Museum of Modern Art outside Helsinki.
When Lars von Trier utters the word «Gesamt» it immediately takes on juicy totalitarian overtones that go beyond any cautious democratic expectations about relational aesthetics.
The concept for the Nordic and Finnish Pavilions, Falling Trees, explores the relationship between art and nature.
Once the last page has been read it is difficult to shake the feeling that Bjarne Melgaard’s novel is actually a piece of quite good late modernist prose.
The Boutique exhibition at the Amos Andersson Museum in Helsinki shows that it is difficult to fight consumerism by consuming.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
