Introspective
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
Centre Pompidou’s centennial exhibition is a celebration of an art which surrenders itself to Eros.
Sculpture is re-articulated as a type of gathering in Silje Figenschou Thoresen’s exhibition at the Astrup Fearnley Museum in Oslo.
Frida Orupabo’s exhibition at Bonniers Konsthall is unambiguously political.
Astrid Svangren’s new show in Stockholm is a compelling return to figuration.
In her magnificent exhibition at Arken, Ursula Reuter Christiansen is a force of nature dancing among poppies and throwing eggs at bombs.
The unreality of contemporary existence prompts a new twisted realism in Roderick Hietbrink’s show at BO in Oslo.
At a turning point for Berlin’s KW, Pia Arke makes her debut outside the Nordic countries, showing a third way between activism and abstraction.
Serlachius in Finland goes all in with a sprawling, amusing and disturbing show about masks.
Panteha Abareshi’s inimitable exhibition focuses on bodies with disabilities. However, we have to bypass a didactic aesthetic to get to the radical material.
The title of Simon Dybbroe Møller’s mid-career survey, Thick & Thin, suggests a formal investigation into sculpture. But the artist’s reflections on labour hit much harder.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
Allegations of sexual misconduct in a Vaginal Davis work at Moderna Museet raise questions about art’s toxic culture of privilege.