Olof Olsson’s info comedy remains well-written, toe-curling, and entertaining, but leaves little room for doubt and vulnerability.

C’est Stuplime!

As Europe arms itself for war, Paris is preparing for the 2024 Olympics. Cyprien Gaillard captures the stupid and the sublime in our increasingly bewildering world.

The Right to Anger

The Niki de Saint Phalle retrospective at Henie Onstad Kunstsenter gives an overview of her extremely varied practice. But what is the message?

The Silence of the Observer

An international cast of anonymous protagonists populates Francis Alÿs’s Children’s Games. But from what vantage point can the artist and today’s viewers connect across time, space, and cultures?

Recently published

2 December

What will we remember from the year in art 2022? Today’s contribution is by Claudine Zia, writer at Kunstkritikk and one of the founding members of The Union.

Money Problems

Do art institutions have a particular obligation to assess the ethics of their sponsors? Directors of museums and exhibition venues in Scandinavia answer that question.