Helsinki Biennial and the Cycle of Nature
On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
Tori Wrånes takes the depressing spirit of our times seriously, without letting it dampen the mood.
For all its racket, Moderna Museet’s Mike Kelley-show fails to speak to the current moment.
In a lush corner of Stockholm, the Polish artist conjures the ghost of a museum that never was.
Waste bears witness to the invisible forces that shape our lives at MoMA PS1 in New York.
In Oslo, Steinar Haga Kristensen strikes a balance between order and chaos, construction and collapse.
At the Copenhagen art festival Under, the young scene is clearly in control. But is it also a bit too self-aware?
Fatima Hellberg’s farewell to Bonner Kunstverein is an intimate cabinet show celebrating her late colleague Alan Logino.
Robert Longo’s charcoal drawings are utterly absorbing – right up until they become shallow.
A K Dolven moves between everything and nothing, ceremony and triviality in her retrospective at the National Museum of Norway.
The Finnish model’s posthumous career as an artist shows us the value of a really good story. Yet, her exhibition at Galerie Forsblom in Helsinki is hard to grasp.
David Hockney’s retrospective at Fondation Louis Vuitton is full of new beginnings.
On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
Tori Wrånes takes the depressing spirit of our times seriously, without letting it dampen the mood.
For all its racket, Moderna Museet’s Mike Kelley-show fails to speak to the current moment.