From Kharkiv to Moscow
Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
Det Kosmiske Hierarki takes Freetown Christiania’s local currency outside the commune. The result is also a song of freedom.
Eddie Figge and Agnieszka Polska reach stratospheric heights in the basement of the Workers’ Education Association in Stockholm.
The curator and critic’s new book of collected writings neglects his role as champion of blockbuster shows.
No one interested in Duchamp – no, no one interested in art – no, no one with a heart – should miss Marcel Duchamp at the MMK in Frankfurt.
The main exhibition at this year’s Venice Biennale is an effective and timely problematisation of the hierarchies in art.
Uffe Isolotto’s morbid blockbuster of an exhibition in the Danish Pavilion is first and foremost about a longing for feedback.
The 59th Venice Biennale was not a great year for the pavilions – until Ukraine stole the show.
The Sámi Pavilion is a historical recognition of indigenous soveregnity, and a surprisingly traditional approach to the idea of a pavilion.
ARS22 has been publicly accused of spreading a load of hot air, but turns out to be a convincing show about our longing for meaning, community, and spirituality.
The third instalment of The Hannah Ryggen Triennial prompts the question of society’s technical justification.
In Every Ocean Hughes’s first major solo exhibition in the Nordic countries, the transition between life and death is not sharp but fluid.
Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
Det Kosmiske Hierarki takes Freetown Christiania’s local currency outside the commune. The result is also a song of freedom.
Eddie Figge and Agnieszka Polska reach stratospheric heights in the basement of the Workers’ Education Association in Stockholm.
This autumn, Tone Hansen will take over as director of the Munch Museum, which is currently facing pressure both internally and externally.