Information Bloat
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Synnøve Persen’s landscapes imagine the Arctic beyond the tourist sublime.
Klara Lidén has turned professional, keeping her body strong and her gaze fierce. Will she still get hurt if she slips off the knife-edge she’s dancing on?
At Moderna Museet Malmö, John Skoog asks if beauty can endure the crude logic of power.
Halloween vibes at the Munch Museum as Kim Hankyul gives form to our increasingly intimate relation to media.
Malmö Konsthall’s retrospective feels like falling into someone’s cryptic notebook.
At Henie Onstad, Ann Lislegaard’s brooding, apocalyptic tone feels less unsettling than predictable, trading genuine tension for a well-worn sense of gloom.
A glossy promise hovers just beyond the frame at the artist-run space Antics in Stockholm.
Inuuteq Storch captures the life-or-death struggle between indigenous identity and its image.
Who steps up when the world is running amok? Kåre Frang draws a razor-sharp portrait of our era’s frayed nervous systems.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
Showcase images always feature a pair of hands presenting something to us, often another image.