Ersatz Grief

Taryn Simon has filled Cisternerne with the beautiful voices of twenty professional lamenters, but the magnificent sadness does not really hit home.

Phantom Pains

Do you fancy yourself an aesthete? Do you love finely tuned museum shows? Do you fetishise Indigenous art? Then the 60th Venice Biennale might be for you!

Fun(ny)

Nina Beier reminds us that no relationship should be considered unexpected in the 21st century.

The House Is Quiet

FOS’s exhibition at Nils Stærk in Copenhagen is full of language, but as is often the case when shows are best, the words are not really uttered.

Recently published

Ersatz Grief

Taryn Simon has filled Cisternerne with the beautiful voices of twenty professional lamenters, but the magnificent sadness does not really hit home.