Disco, Delay, Desire
Monir Shahroudy Farmanfarmaian seduces the eye and keeps the mind guessing.
Monir Shahroudy Farmanfarmaian seduces the eye and keeps the mind guessing.
Kateryna Lysovenko turns violence into tenderness.
Maria Pasenau is raw, in every sense of the word.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.
Matias Faldbakken’s memorial to the 2011 terrorist attacks in Norway makes security its aesthetic point.
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
The past haunts the present through the apparatuses that make our images in Lap See Lam’s exhibition at Henie Onstad Art Center.
Estonian Indigenous identity under scrutiny in Tallinn.
Seth Price on chance, autobiography, and being with the question.
Monir Shahroudy Farmanfarmaian seduces the eye and keeps the mind guessing.
Kateryna Lysovenko turns violence into tenderness.