Ten Questions: Dan Perjovschi
“I had no idea that graffiti existed,” says Dan Perjovschi, who has filled the walls of Kunsthall Trondheim with a cacophony of words and simple pictograms dealing with global neoliberalism and popular revolt.
“I had no idea that graffiti existed,” says Dan Perjovschi, who has filled the walls of Kunsthall Trondheim with a cacophony of words and simple pictograms dealing with global neoliberalism and popular revolt.
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
The past haunts the present through the apparatuses that make our images in Lap See Lam’s exhibition at Henie Onstad Art Center.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
