Ten Questions: Dan Perjovschi
“I had no idea that graffiti existed,” says Dan Perjovschi, who has filled the walls of Kunsthall Trondheim with a cacophony of words and simple pictograms dealing with global neoliberalism and popular revolt.
“I had no idea that graffiti existed,” says Dan Perjovschi, who has filled the walls of Kunsthall Trondheim with a cacophony of words and simple pictograms dealing with global neoliberalism and popular revolt.
‘Photography is a direct extension of the eye. It’s history writing from our own perspective’, says Inuuteq Storch, the first Greenlandic artist in the Danish Pavilion at the Venice Biennale.
Maurizio Cattelan’s show at Moderna Museet rejects both religion and politics as models for art. Instead, it proposes, artists can take back control by slacking off.
‘You can never guarantee that it won’t be uncomfortable’, says performance artist Marthe Ramm Fortun.
In Denmark, the International Women’s Day was about women of the nation cast in bronze and women of the desert of flesh and blood.