Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
A glossy promise hovers just beyond the frame at the artist-run space Antics in Stockholm.
In 2026, Isa Genzken’s assemblages appear as luminous icons. Beauty becomes an anchor when the world refuses to cohere.
Art critic Nora Arrhenius Hagdahl recalls this year’s magical Narnia moments.
Stockholm’s Gallery Weekend let it all hang out.
Relational aesthetics goes dark at Bonniers Konsthall.
Goldin+Senneby are known for their brainy conceptualism. At Accelerator in Stockholm they have created their most personal exhibition yet.
Irony gives way to sincerity in Anne Imhof’s spectacular performance at Park Avenue Armory in New York.
Kunstkritkk’s Nora Arrhenius Hagdahl on this year’s wildest shows in Stockholm.
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
As curator of GIBCA 13, Christina Lehnert promises to confront the present head-on.
Nordic nostalgia and a fraught sponsorship collaboration at Market Art Fair in Stockholm.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
