Barbara Kruger goes low in a surprisingly melancholy show at Neue Nationalgalerie in Berlin.
What will we remember from the year in art 2022? Today’s contribution is by Claudine Zia, writer at Kunstkritikk and one of the founding members of The Union.
Christmas is here! Milou Allerholm opens the first door in Kunstkritikk’s advent calendar.
Do art institutions have a particular obligation to assess the ethics of their sponsors? Directors of museums and exhibition venues in Scandinavia answer that question.
In Germany, the large-scale commemoration of Michel Majerus’s untimely death provides an opportunity to revisit the 90s as a decade of both lost optimism and sinister beginnings.
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