Goldin+Senneby are known for their brainy conceptualism. At Accelerator in Stockholm they have created their most personal exhibition yet.
Irony gives way to sincerity in Anne Imhof’s spectacular performance at Park Avenue Armory in New York.
Kunstkritkk’s Nora Arrhenius Hagdahl on this year’s wildest shows in Stockholm.
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
As curator of GIBCA 13, Christina Lehnert promises to confront the present head-on.
Fresh 90s nonchalance at Paris Internationale and Martine Syms at Lafayette Anticipations.
The skyrocketing Lap-See Lam on launching her first opera at the 60th Venice Biennale.
Art critic Nora Arrhenius Hagdahl looks back on a year that took her straight down the rabbit hole.
For the performance duo Gideonsson/Londré, it’s all about what’s hidden under the surface.
“You don’t have to be a crowd-pleaser, what is relevant and good attracts an audience,” says the new director of Konstmuseet i Norr in the arctic city Kiruna.
Liam Gillick transforms the Pergamon Museum into an episode of Buffy the Vampire Slayer.
‘It will not be a well-behaved show’, says João Laia, curator of the twelfth Gothenburg Biennial, promising a break from the strict academicism of recent years.
On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
Tori Wrånes takes the depressing spirit of our times seriously, without letting it dampen the mood.
For all its racket, Moderna Museet’s Mike Kelley-show fails to speak to the current moment.
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