La Grande Bouffe
From Sámi art seeking to heal colonial wounds to spray-painted bedrooms and a brand-new museum – even as budgets shrink, the Norwegian art scene still offers a lavish autumn spread.
From Sámi art seeking to heal colonial wounds to spray-painted bedrooms and a brand-new museum – even as budgets shrink, the Norwegian art scene still offers a lavish autumn spread.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
The major museums in the Nordics are reaching out to expand their audiences like never before. But who is keeping contemporary art and history alive?
Recasting Stockholm’s Royal Institute of Art as a classical art school would erode artistic freedom.
Geopolitics looms over everything in Denmark. But not on the art scene, which is serving up glam-rock, food happenings, and solo shows featuring international heavyweights.
The Swedish spring is marked by aesthetic confidence and structural uncertainty.
How do we hold onto what is materially sacred in a time that worships the cloud?
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Will poverty save us? A dispatch from Helsinki.
Arthur Köpcke arrived in Copenhagen in 1953. Not long after, the city became a centre of the European avant-garde. When might that happen again?
While a dramatic shift towards authoritarianism is taking place in the United States, art clings to aesthetic strategies from the 1980s.
From Sámi art seeking to heal colonial wounds to spray-painted bedrooms and a brand-new museum – even as budgets shrink, the Norwegian art scene still offers a lavish autumn spread.
Matias Faldbakken’s memorial to the 2011 terrorist attacks in Norway makes security its aesthetic point.
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.