In the future, the authority of museums will rest on their ability to explain why they have doubts. The discussion surrounding Kirchner and Nolde at the National Gallery of Denmark demonstrates why.
The new Munch Museum will open in the heart of Oslo this autumn with Tracey Emin, Sandra Mujinga, and black metal band Satyricon all joining the party. Still, someone has to be a party pooper.
After a couple of turbulent years, The Royal Danish Academy of Fine Arts has a new rector: Lars Bent Petersen.
Thinking with Simone Weil and Thomas Hirschhorn, precariousness and fragmentation emerge as forces that reshape ideas of power, monuments, and art’s role in our troubled present.
Revolution or fad? When Beeple’s NFT-work Everydays: The First 5000 days is sold at Christie’s this week, it will show where the art market is headed after COVID-19.
The debate about new anti-racist policies at the University of Art, Craft, and Design in Stockholm reveals art’s embrace of a representative civil service culture.
Minister of Culture Joy Mogensen wants to strengthen management in art education, set up boards of directors, and counteract overly academised teaching. At best, this breaks with decades of technocracy.
Fashion week in a time of COVID-19 offers new digital-first strategies that increasingly prevail in the art world. What’s at stake when everything turns into viral content?
Despite rather uncertain prospects, these are the art events we look forward to in Norway, Sweden, and Denmark.
Few will feel any great desire to look back on 2020. Even so, the year of the COVID-19 pandemic provided some memorable artistic highlights in the Nordic countries.
Many questions have emerged after an artistic action against a plaster cast of Frederik V at The Royal Danish Academy of Fine Arts made a big splash on the Danish art scene.
The freedom of art may be the single most disturbing phenomenon in a thoroughly organised democratic society – and its most shocking injustice.