Eat Your Phone, Amen!
How do we hold onto what is materially sacred in a time that worships the cloud?
How do we hold onto what is materially sacred in a time that worships the cloud?
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Will poverty save us? A dispatch from Helsinki.
Arthur Köpcke arrived in Copenhagen in 1953. Not long after, the city became a centre of the European avant-garde. When might that happen again?
While a dramatic shift towards authoritarianism is taking place in the United States, art clings to aesthetic strategies from the 1980s.
With the birth of the dealer-critic-system in 1870s France, criticism shifted its focus from the artwork to the artist. It’s been all downhill from there.
The Norwegian art scene is awash in oil on canvas this autumn.
Somewhere between Black figuration and the late Picasso, the Swedish art season is looking for relevance.
A new season is ready to be gobbled up as a shift in mood seems imminent on the Danish art scene.
The enemies of culture and the arts haven’t just rallied, they’re gaining ground.
Copenhagen is currently home to several semi-aquatic reptiles. They speak volumes about attitudes and mummification. And of what an exhibition may be.
The Swedish government’s plan to create an institutional behemoth, Moderna, is ill-advised and reckless.
Viewed from a range of perspectives, our top ten articles of 2025 all grapple with questions about art’s role in today’s challenging times.
Kunstkritikk’s Editor-in-Chief Mariann Enge revisits a year marked by emotional storms, memory work, and the scent of wood lingering on her hands.
Kunstkritikk’s Swedish editor on a year marked by fragile ways of seeing.
Ramshackle, utterly quiet, and cunning as a fox. Kunstkritikk’s editor in Copenhagen reveals the cosmologies she most adored in 2025.