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The Art of Defeat
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
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In the Breakers
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Dora Budor’s Small Moments of Tenderness
Bonner Kunstverein show plays with split vision.
The Word for Summer Is Surface
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.
Mythologies
Transcaucasian film poems, a science-fiction retrospective, and an exhibition woven from nerve fibres. The Danish art autumn is all aquiver.
Autumn Reflections
In election-year Sweden, the art scene is politically ambitious but institutionally cautious.
La Grande Bouffe
From Sámi art seeking to heal colonial wounds to spray-painted bedrooms and a brand-new museum – even as budgets shrink, the Norwegian art scene still offers a lavish autumn spread.
The Misanthrope Who Came in from the Cold
Matias Faldbakken’s memorial to the 2011 terrorist attacks in Norway makes security its aesthetic point.
Antipopulist Front
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
Whales Are Not Singing Anymore
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
Ghost Projector
The past haunts the present through the apparatuses that make our images in Lap See Lam’s exhibition at Henie Onstad Art Center.
The Saddest Show in Art History
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
