Use quotes for an exact search. For example, "Edvard Munch".
The 11th Gothenburg Biennial tells a powerful story about seafaring, colonialism, and racism, but suffers from a certain artistic and intellectual predictability.
With doomsday vibes in Berlin, blockchains in Hamburg, and an art scene brat pack in Zurich, there’s every reason to renew your BahnCard. Here’s a bird’s-eye view of the autumn’s exhibitions north of the Alps.
With the show Hummings, KØS Museum shows its ambitions to move its programme towards public space, but delivers unconvincing results.
The idyllic setting of Momentum 11 threatens to drown out the biennial’s well-meaning gestures towards activism.
In Finland, the long Covid lull makes local artists and dialogue appear in a new light.
Buffalo AKG Art Museum in upstate New York will open in 2022 and plans to boast the largest collection of Nordic art outside the region.
Itinerant exhibitions and foraging artists: autumn on the Norwegian art scene suggests that art has discovered its potential as a parallel society.
Social justice movements have had a strong impact on the Swedish art world, but whether it has actually become more permissive is up for debate.
Horses, lions, ants and potatoes – and a new minister of culture with
gunpowder residue on her hands. The Danish art scene’s autumn season is live on
air.
Cultural theorist Sianne Ngai explains why art needs to embrace error in a world that is wrong.
Lene Berg, next year’s official festival artist at Bergen Kunsthall, wants to tell the story of her late father, film director Arnljot Berg.
The deformed bodies in Nicole Eisenman’s exhibition at the Astrup Fearnley Museum testify to the artwork as liberating event.
The 11th Gothenburg Biennial tells a powerful story about seafaring, colonialism, and racism, but suffers from a certain artistic and intellectual predictability.
With doomsday vibes in Berlin, blockchains in Hamburg, and an art scene brat pack in Zurich, there’s every reason to renew your BahnCard. Here’s a bird’s-eye view of the autumn’s exhibitions north of the Alps.
With the show Hummings, KØS Museum shows its ambitions to move its programme towards public space, but delivers unconvincing results.
The idyllic setting of Momentum 11 threatens to drown out the biennial’s well-meaning gestures towards activism.
Kunstkritikk is supported by
