All articles (1234)

Insatiable Us

In New Visions, the considered triennial at Henie Onstad Kunstsenter, photography and new media are complicit in the exploitation of the planet’s resources.

In the Wait

Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.

Around 1996

Esben Weile Kjær is having a ball in a show that reveals how shared history is reduced when art becomes embroiled in self-actualisation and experience economy.

An Investment in Democracy

Norwegian proposals for increased funding for periodicals and criticism should not only be heeded by the authorities, but also serve as inspiration for colleagues in other countries.

True Stone

Whether sculptures can be true is probably impossible to determine. Benjamin Hirte has made four monoliths: an attractive and funny invitation to contemplate the word.

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Insatiable Us

In New Visions, the considered triennial at Henie Onstad Kunstsenter, photography and new media are complicit in the exploitation of the planet’s resources.

In the Wait

Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.