The Oslo City Department of Culture has decided to end the first instalment of the city’s biennial two years earlier than planned, due in part to financial overspending.
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Our Red Sky at Gothenburg Konsthall embodies how women’s experiences of sexual and racist violence can become tools for political change.
HKW in Berlin revives Aby Warburg’s original picture atlas. For contemporary audiences it is a display both evocative and impenetrable.
Joar Nango’s festival exhibition at Bergen Kunsthall is an inspiring invitation to expand our minds and knowledge and to carry out fundamental change.
The Berlin Biennial is taking place against all odds. But adamant to meet the current crisis, the exhibition’s progressive politics makes for a conventional and repetitive viewing experience.
Criticism has moved from the daily newspapers to niche media. This should be reflected in Denmark’s new media policy agreement, says Kamilla Löfström of United Critics Denmark.
The Work of Mourning at Bonniers Konsthall not only speaks to the current state of affairs, it also emits the sincerity of experiences connected to real change.
‘I think governments around the world should see this as a template for how to deal with the corona pandemic’, says Gitte Ørskou, director of Moderna Museet.
Adrian Bugge’s digital protest exhibition against the demolition of the Y-blokka in Oslo transforms destruction into creative energy, and injustice into rebellion.
Christian Falsnaes delves into the grey area between entertainment and submission, and delivers on both. It’s effective as well as aggravating.
Faith Ringgold’s retrospective at Bildmuseet in Umeå is a moving attempt at restoring the humanity of which Black people have so often been robbed.
Peter Weibel and Bettina Korintenberg, the curators behind the exhibition Critical Zones at ZKM in Karlsruhe, want us to turn our eyes to the earth.