Which were the most memorable art experiences of 2019? Today we hear from Petter Pettersson and Elin Lundgren of Lilith Performance Studio in Malmö.
Director of Kunsthuset Kabuso, Sissel Lillebostad, here presents her three most memorable art experiences of 2019.
Here are the year’s three most memorable art events, according to artist Simon Dybbroe Møller.
Which were the most memorable art experiences of 2019? Today’s answer is by Lina Selander, artist.
Kunstkritikk’s Advent Calendar presents author and regular contributor to Kunstkritikk Susanne Christensen’s top three art events of 2019.
Here are the year’s three most memorable art events according to Louise Steiwer, one of Kunstkritikk’s regular contributors.
The Danish Arts Foundation changes its procedure: now, artists can apply to represent Denmark at the 2021 Venice Biennale.
In connection to the opening of an exhibition with Swedish-Chilean art at the Museum of World Culture in Gothenburg, the artists organized an action in support of the ongoing protests in Chile.
History does not repeat itself, it constructs analogies.
Who gets heard on the art scene, in gender discussions, and in society? It seems that the white man’s system still governs the debate on gender and representation.
The reason the work was effective was that I thought that I did not read the text that I had to read in order to understand the work.
Even in its struggle against kitsch, pop music is a flypaper for our memories. Can art be the same?
If everyone knew that control society was being realized, then why did panic not erupt?
The Office for Contemporary Art Norway invites us to step away from the Western canon. A radical multi-voicedness awaits on the other side. But how does this affect the tradition of canon criticism?
Who gets heard on the art scene, in gender discussions, and in society? It seems that the white man’s system still governs the debate on gender and representation.
The reason the work was effective was that I thought that I did not read the text that I had to read in order to understand the work.
Are we seeing a ketchup effect? Two years after #MeToo arrived, Denmark discusses equality and gender quotas in typically haphazard fashion, but at a new level.
Even in its struggle against kitsch, pop music is a flypaper for our memories. Can art be the same?
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