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‘We want the Fredriksen agreement to be terminated’, says Nikhil Vettukattil, one of the artists behind a call for Norway’s National Museum to end the collaboration.
Anonymous threats of violence are the culmination so far of the discussion surrounding the Palestinian artists’ group The Question of Funding and its participation in Documenta 15.
The main exhibition at this year’s Venice Biennale is an effective and timely problematisation of the hierarchies in art.
Uffe Isolotto’s morbid blockbuster of an exhibition in the Danish Pavilion is first and foremost about a longing for feedback.
The 59th Venice Biennale was not a great year for the pavilions – until Ukraine stole the show.
The Sámi Pavilion is a historical recognition of indigenous soveregnity, and a surprisingly traditional approach to the idea of a pavilion.
Auctions of Arctic lands and thousands of letters from government authorities are among the works on view in The Sámi Pavilion in Venice.
These days we see a yearning for the past and a movement towards the transhuman, observes Uffe Isolotto, the artist behind the Danish Pavilion in Venice.
The kunstverein is a cornerstone of the sturdy German art system, believes Milan Ther, the new director at Kunstverein in Hamburg.
Bigert & Bergström’s Tipping Point will be shown during the UN’s climate summit in Stockholm.
On Saturday 11 June, the largest art museum in the Nordic region will finally open to the general public.
This autumn, Tone Hansen will take over as director of the Munch Museum, which is currently facing pressure both internally and externally.
Angela Davis’s visit in Oslo was an event that may well have ripple effects.
Is the scandal engulfing Documenta 15 a tragedy of the arts, criticism, or the German debate on anti-Semitism?
Swedish author and climate activist Andreas Malm bets on a popular uprising against the fossil fuel industry.
Centre Pompidou’s exhibition on the Weimar Republic reveals more than meets the eye.
The third instalment of The Hannah Ryggen Triennial prompts the question of society’s technical justification.
Sámi artist Britta Marakatt-Labba’s textile art holds significant stories within. Now she is taking part in the main exhibition of the Venice Biennale.
Controversial sponsorship agreement attracts renewed criticism after invasion of Ukraine.
‘The core question of art is the relation between ethics and aesthetics’, according to Charles Esche. Together with co-curator Susanne Ewerlöf he has curated Hurting and Healing at Tensta konsthall.
Centre Pompidou organised a conference in solidarity with Ukraine.
As artists called in from Kyiv and Lviv the space was totally still.
No more censorship: Russian artist Sergei Prokofiev’s work is once again part of the Spring Exhibition. The chair of the Charlottenborg Foundation, artist John Kørner, has resigned from the board.
As the curator of the Russian Pavilion finally publicised his letter of resignation, its close ties to a warmongering Russian elite were conspicuously left out.
Artists and cultural workers in Ukraine and Eastern Europe ask the international art community to do all we can to support the Ukrainian people.
Karl Katz Lydén’s new book falls short of its lofty aim to break the barrier between art and society.
The Light & Space movement takes centre stage in Copenhagen Contemporary’s ‘biggest exhibition to date’, but this vast sea of light drowns out the works and their ostensible magic.
A petition by AICA calls on the European Commission to stop the systematic persecution of dissent and minority voices.
‘We are not addressing the “crypto art market.” We are selling
contemporary art and the proof of ownership happens to be in the form of NFTs’, say the founders of Juneart.io.
Angela Davis’s visit in Oslo was an event that may well have ripple effects.
Is the scandal engulfing Documenta 15 a tragedy of the arts, criticism, or the German debate on anti-Semitism?
Swedish author and climate activist Andreas Malm bets on a popular uprising against the fossil fuel industry.
Centre Pompidou’s exhibition on the Weimar Republic reveals more than meets the eye.
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