Momentum Postponed Until Further Notice
The collaboration between curator Théo-Mario Coppola and the biennial management has been broken off.
The collaboration between curator Théo-Mario Coppola and the biennial management has been broken off.
Damla Kilickiran’s exhibition at The Young Artists’ Society in Oslo shows how the pandemic has made us so focused our own bodies that our surroundings dissolve.
At Kunsthall Stavanger, Jamian Juliano-Villani accelerates the visual logic of commercialism to expose contemporary culture for what it is: an absurd nightmare.
Olof Marsja’s exhibition at Nevven in Gothenburg is a bold mix of contemporary spirituality, Sámi handicraft, and fake designer clothes.
‘I never got the point of higher resolution’, says Charlotte Johannesson, whose trailblazing work in textile and computer graphics is currently on view at Museo Reina Sofía in Madrid.
Italian duo Francesco Urbano Ragazzi will curate Lofoten International Art Festival 2022.
The waves in Kinga Bartis’s painting Egg timer do not move in vain.
Some of the webs found in Charlotte Johannesson’s artistic practice and why spinning and weaving the past into the future is so important.
To put it wittily: the romantic in me has never seen a more realistic vision of Rondane than Harald Sohlberg’s.
Eddie Figge’s paintings from the 1989 São Paulo Biennale should be shown in schools as proof that our planet has had visitors from a distant civilisation.
Some words around what it meant when Cecilia Bjartmar Hylta abstracted the act of masturbation into a large vibrating dildo wall. Or, why we feel sick making art.
In Good Speaker, Elise Macmillan reconstructs from memory a radio commercial she heard during her early youth.
The Nitja Centre for Contemporary Art’s decision to centre its exhibition on one of the icons of the Black Lives Matter movement is a move that requires commitment.
Returning to her childhood home town, Fatima Moallim’s exhibition at Växjö Konsthall invites us to reflect on today’s appetite for identity and difference.
‘If I were forced to name an upside of the pandemic, it has been that it gave us time to reflect on and re-evaluate what we do’, says Sara Berner Bengtsson, new Managing Director of the Nordic art fair.
Jacob Fabricius and Lars Bang Larsen will become joint directors of Art Hub Copenhagen.
After a couple of turbulent years, The Royal Danish Academy of Fine Arts has a new rector: Lars Bent Petersen.
After a year of fierce conflicts, the newly elected rector of the Oslo National Academy of the Arts, Markus Degerman, wants to look ahead.
At Sorø Art Museum, Peter Bonde engages with the past and role models in an exhibition that refuses to be retrospective.
High resolution images don’t make us more perceptive. Quite the contrary.
‘Repatriation is about so much more than just the objects’, say Sámi artists Petra Laiti and Outi Pieski, curators of an exhibition about the historic event at the Finnish National Museum this autumn.
Minister of Culture Joy Mogensen wants to strengthen management in art education, set up boards of directors, and counteract overly academised teaching. At best, this breaks with decades of technocracy.
In a winter of no content, can memories of artworks activate our sense of wonder when the works themselves are absent?
Fashion week in a time of COVID-19 offers new digital-first strategies that increasingly prevail in the art world. What’s at stake when everything turns into viral content?
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