Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill

Hate the Game

Revisiting the strategic essentialisms of the 1990s, Salad Hilowle’s complacent debut at Cecilia Hillström hints at the bankruptcy of Sweden’s cultural economy.

Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill

Dance Revolution?

In their first major presentation in Sweden, the Swiss duo Pauline Boudry & Renate Lorenz ask whether clubbing can inspire a progressive political movement.

Diasporic Remix

Basel Abbas and Ruanne Abou-Rahme’s voracious use of cultural fragments contradicts the idea that identity is linked to a monolithic cultural heritage.

Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill

What’s New in Theory?

Interviews with contemporary thinkers.
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Nimis Can Be Saved

After the death of Lars Vilks, the future of his site-specific work has been uncertain. Now the question of ownership is resolved, but some obstacles remain.

Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill
Netflix n’ Hill

Recently published

Insatiable Us

In New Visions, the considered triennial at Henie Onstad Kunstsenter, photography and new media are complicit in the exploitation of the planet’s resources.

In the Wait

Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.

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