Open Call for the Danish Pavilion
The Danish Arts Foundation changes its procedure: now, artists can apply to represent Denmark at the 2021 Venice Biennale.
The Danish Arts Foundation changes its procedure: now, artists can apply to represent Denmark at the 2021 Venice Biennale.
In connection to the opening of an exhibition with Swedish-Chilean art at the Museum of World Culture in Gothenburg, the artists organized an action in support of the ongoing protests in Chile.
Partnership between Kunsten in Aalborg and Louisiana in Humlebæk will make Poul Erik Tøjner responsible for programming at both venues. The job as director in Aalborg is posted anew.
Presented at Kunstnerforbundet in Oslo, Marthe Ramm Fortun’s obstacle course through the city teases out the prejudices that govern public behaviour.
This year’s instalment of the Nuuk Nordic Culture Festival opened with a call to think outside of the national frameworks that have organised history writing in the Nordic countries.
The reason the work was effective was that I thought that I did not read the text that I had to read in order to understand the work.
Are we seeing a ketchup effect? Two years after #MeToo arrived, Denmark discusses equality and gender quotas in typically haphazard fashion, but at a new level.
Merike Estna’s paintings at Moderna Museet Malmö are inviting, strange, and genuinely convinced of their own vanity.
This year’s instalment of the Nuuk Nordic Culture Festival opened with a call to think outside of the national frameworks that have organised history writing in the Nordic countries.
The reason the work was effective was that I thought that I did not read the text that I had to read in order to understand the work.
Are we seeing a ketchup effect? Two years after #MeToo arrived, Denmark discusses equality and gender quotas in typically haphazard fashion, but at a new level.
Merike Estna’s paintings at Moderna Museet Malmö are inviting, strange, and genuinely convinced of their own vanity.
In the Nordic Pavilion in Venice, insects, green growths in glass containers, and clusters of seaweed all thrive. Whether it is inhabitable to us humans is less certain.
In her beautiful sci-fi noir installation at the Danish Pavilion in Venice, Larissa Sansour asks what the memory of national identity means once a tsunami has washed away everything.
The 58th Venice Biennale provides an image of art’s postdigital condition, where politics is consigned to the level of the individual artwork.
Venice Special: a guide to Nordic exhibitions and events taking place during the Venice Biennial’s opening days.
What is national identity in the wake of a climate apocalypse? Larissa Sansour on her contribution to the Danish Pavilion in Venice.
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