Undoctrinated
Indoctrination: Multivalent Gestures at Fotogalleriet gives food for thought, but maybe not for the reason the curator intended.
Indoctrination: Multivalent Gestures at Fotogalleriet gives food for thought, but maybe not for the reason the curator intended.
Artist Marianne Heier is organising a seminar about and with stateless persons in Norway.
Ann Cathrin November Høibo plays on our desire to witness art’s conception.
Revisiting the strategic essentialisms of the 1990s, Salad Hilowle’s complacent debut at Cecilia Hillström hints at the bankruptcy of Sweden’s cultural economy.
In their first major presentation in Sweden, the Swiss duo Pauline Boudry & Renate Lorenz ask whether clubbing can inspire a progressive political movement.
Basel Abbas and Ruanne Abou-Rahme’s voracious use of cultural fragments contradicts the idea that identity is linked to a monolithic cultural heritage.
We just can’t stop messing up. The human struggle persists in two large-scale performances at Lilith Performance Studio in Malmö.
Institutional critique or crime scene? Finn Reinbothe’s show at Avlskarl Gallery leaves most things up in the air.
The opening of the Barents Spektakel festival in Kirkenes will coincide with the anniversary of Russia’s invasion of Ukraine. Curators Neal Cahoon and Ingrid Valan explain why.
Author Hettie Judah thinks it is time to imagine other artists than unencumbered males.
‘Demobilisation is precisely what can break the castle of power. The withdrawal of all energy’, says Franco ‘Bifo’ Berardi.
Philosopher Catherine Malabou wants to change anarchism’s bad rap.
Art historian Isabelle Graw wants us to stop idealising friendship.
Philosopher Yuk Hui asks how art can transform technology.
Sianne Ngai explains why art needs to embrace error in a world that is wrong.
McKenzie Wark thinks we misunderstood the utopian.
Rob Kulisek sends influencer Meg Yates to a luxury clinic in Switzerland.
This year’s Transmediale festival finds a break from digital doom and gloom in club culture’s collective moments of bliss.
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
After the death of Lars Vilks, the future of his site-specific work has been uncertain. Now the question of ownership is resolved, but some obstacles remain.
‘It is both unsustainable and unethical’. Strike spokesperson Jenna Jauhiainen talks about the Finnish museum’s links to the Israeli arms trade.
‘When I saw Van Gogh drenched in soup, I felt an ache in my chest. At first, I thought it was anger, but then I realised it was hope!’, says artist Karin Lorentzen.
In Malmö, Tal R and Mamma Andersson cozy up with nineteenth-century renegade Carl Fredrik Hill in a fun show that struggles to make a lasting impression.
Everything moves at Copenhagen Contemporary. But movement is, as we know, relative when we can’t stand still ourselves.
In New Visions, the considered triennial at Henie Onstad Kunstsenter, photography and new media are complicit in the exploitation of the planet’s resources.
Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.
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