Moderna Museet Back-Pedal After Kunstkritikk Article
Now screen The Andalusian Dog uncensored.
Now screen The Andalusian Dog uncensored.
Iconic scene in The Andalusian Dog edited out.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Goldin+Senneby are known for their brainy conceptualism. At Accelerator in Stockholm they have created their most personal exhibition yet.
Tori Wrånes, Klara Kristalova, and Benjamin Orlow will exhibit together at the 61st Venice Biennale in 2026.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
Eliyah Mesayer’s fictional state has pitched its black tents in Aarhus. For those already familiar with Illiyeen, the project appears to be stagnating. Perhaps that is the point.
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.
The Norwegian art spring displays the horny energy of an 80s sitcom.
New institutions, new names for old institutions, and new spring exhibitions on the Danish scene.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
See which painters were at the top of their game in 2024, according to Copenhagen-based artist David Risley.
Kunstkritkk’s Nora Arrhenius Hagdahl on this year’s wildest shows in Stockholm.
Dabbling with an early computer led Albert Oehlen to not only redefine his approach to painting, but also question artistic practice as such. He could be a role model for the AI generation.
Elina Merenmies’s retrospective in Turku draws on her Christian Orthodox faith to deepen our understanding of an oeuvre reverberating with grace.
Constance Tenvik’s interpretation of Greek antiquity at the Munch Museum in Oslo substitutes sexual and violent excesses for burlesque games.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
As curator of GIBCA 13, Christina Lehnert promises to confront the present head-on.
Fresh 90s nonchalance at Paris Internationale and Martine Syms at Lafayette Anticipations.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
Allegations of sexual misconduct in a Vaginal Davis work at Moderna Museet raise questions about art’s toxic culture of privilege.
Maurizio Cattelan’s show at Moderna Museet rejects both religion and politics as models for art. Instead, it proposes, artists can take back control by slacking off.
Centre Pompidou’s centennial exhibition is a celebration of an art which surrenders itself to Eros.
On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
Tori Wrånes takes the depressing spirit of our times seriously, without letting it dampen the mood.
For all its racket, Moderna Museet’s Mike Kelley-show fails to speak to the current moment.
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