Unlike a superhero movie, the 10th Göteborg Biennial does not seek to reach an audience consisting of all the people on earth.
At Statens Museum for Kunst, Shahryar Nashat has produced a captivating immersive experience that is both seductive and claustrophobic.
Dealing with bad art, the book Bad Writing is gloriously perverted in places. But it is also a slightly surly attack on what it calls ‘political correctness’.
‘In order to move on, you must also turn back’, says Lisa Rosendahl, curator of the 10th edition of the Göteborg Biennial, opening this Saturday.
In the Nordic Pavilion in Venice, insects, green growths in glass containers, and clusters of seaweed all thrive. Whether it is inhabitable to us humans is less certain.
In her beautiful sci-fi noir installation at the Danish Pavilion in Venice, Larissa Sansour asks what the memory of national identity means once a tsunami has washed away everything.
The 58th Venice Biennale provides an image of art’s postdigital condition, where politics is consigned to the level of the individual artwork.
Venice Special: a guide to Nordic exhibitions and events taking place during the Venice Biennial’s opening days.
What is national identity in the wake of a climate apocalypse? Larissa Sansour on her contribution to the Danish Pavilion in Venice.