Zero G Aesthetics
Eddie Figge and Agnieszka Polska reach stratospheric heights in the basement of the Workers’ Education Association in Stockholm.
Eddie Figge and Agnieszka Polska reach stratospheric heights in the basement of the Workers’ Education Association in Stockholm.
This autumn, Tone Hansen will take over as director of the Munch Museum, which is currently facing pressure both internally and externally.
Auctions of Arctic lands and thousands of letters from government authorities are among the works on view in The Sámi Pavilion in Venice.
Sámi artist Britta Marakatt-Labba’s textile art holds significant stories within. Now she is taking part in the main exhibition of the Venice Biennale.
The most interesting aspect of Eliza Douglas’s exhibition at VI, VII in Oslo is how little the artist labours for it.
Wolfgang Tillmans’s exhibition at Peder Lund in Oslo imagines nature and the body beyond traditional constraints.
Controversial sponsorship agreement attracts renewed criticism after invasion of Ukraine.
‘The core question of art is the relation between ethics and aesthetics’, according to Charles Esche. Together with co-curator Susanne Ewerlöf he has curated Hurting and Healing at Tensta konsthall.
Centre Pompidou organised a conference in solidarity with Ukraine.
As artists called in from Kyiv and Lviv the space was totally still.
No more censorship: Russian artist Sergei Prokofiev’s work is once again part of the Spring Exhibition. The chair of the Charlottenborg Foundation, artist John Kørner, has resigned from the board.
As the curator of the Russian Pavilion finally publicised his letter of resignation, its close ties to a warmongering Russian elite were conspicuously left out.
Artists and cultural workers in Ukraine and Eastern Europe ask the international art community to do all we can to support the Ukrainian people.
Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
Det Kosmiske Hierarki takes Freetown Christiania’s local currency outside the commune. The result is also a song of freedom.
Eddie Figge and Agnieszka Polska reach stratospheric heights in the basement of the Workers’ Education Association in Stockholm.
This autumn, Tone Hansen will take over as director of the Munch Museum, which is currently facing pressure both internally and externally.
Documenta has countered that the allegations are false, but is putting a lid on further discussion until an upcoming panel debate.
Elina Brotherus and Hannele Rantala’s tête-à-tête at the Finnish National Gallery gravitates towards the dark.
An all-female exhibition at Galleri Nils Stærk cannot hide the unforgivable fact that the gallery’s roster of 24 artists includes only two women.
Top marks in art-historical awareness for new young painters at Galleri Nicolai Wallner. Fortunately, they’ve got even more up their sleeves.
In a field where so many desire high visibility, Mickael Marman addresses the discomfort of being recognised.
Karl Katz Lydén’s new book falls short of its lofty aim to break the barrier between art and society.
A petition by AICA calls on the European Commission to stop the systematic persecution of dissent and minority voices.
‘We are not addressing the “crypto art market.” We are selling
contemporary art and the proof of ownership happens to be in the form of NFTs’, say the founders of Juneart.io.
Ovartaci, Sandra Mujinga and Ulla Wiggen are among the artists featured in the biennale’s central exhibition.
In a large-scale installation of silicone sculptures, Marie Munk finds an unusual way out of techno-determinism.
Improvisation, underwater protests, transnational solidarity, and sumptuous painting rooted in history: the sap is rising on the Norwegian art scene.
Facing yet another Covid spring, Sweden’s exhibition season will be locally produced and unsensational. Nevertheless, there are some gems to look forward to.
Kiasma’s grand reopening and the return of a major international exhibition are among the highlights in Finland this spring.
This season, spectacular lawsuits are held in the name of art, the Danish gallery scene is stirring, and women are an enduring trend.
Philosopher Yuk Hui asks how art can transform technology.
Sianne Ngai explains why art needs to embrace error in a world that is wrong.
McKenzie Wark thinks we misunderstood the utopian.
Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
Det Kosmiske Hierarki takes Freetown Christiania’s local currency outside the commune. The result is also a song of freedom.
Eddie Figge and Agnieszka Polska reach stratospheric heights in the basement of the Workers’ Education Association in Stockholm.
This autumn, Tone Hansen will take over as director of the Munch Museum, which is currently facing pressure both internally and externally.
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