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Images Calling for Action
Zanele Muholi’s exhibition at Bildmuseet in Umeå is a beautiful, upsetting, and humorous portrayal of Black LGBTQI+ lives.
Use quotes for an exact search. For example, "Edvard Munch".
Zanele Muholi’s exhibition at Bildmuseet in Umeå is a beautiful, upsetting, and humorous portrayal of Black LGBTQI+ lives.
The artist collective DIS challenges the manic image economies of our contemporary with an entertaining and critical biennial by replacing the politics of representation with one of circulation.
Dina El Kaisy Friemuth’s insistently minimalistic exhibition shows us what remains when we repatriate stolen artefacts.
Through synthetic reproduction of odours, Sissel Tolaas’s exhibition at the Astrup Fearnley Museum in Oslo explores how nature can be represented otherwise.
With hovering robots and ancient scents, Anicka Yi attempts to transform the Turbine Hall at Tate into a utopian ecosystem.
The Munch Museum’s opening exhibition featuring Tracey Emin and Edvard Munch is a melodrama about a subject who has nothing more to give, but keeps on giving.
After disappearing a decade ago, Martin Margiela’s resurgence as a contemporary artist comes at least twenty years too late.
Unravelling and sorting through threads of ideas, Leif Holmstrand’s retrospective at Marabouparken is surprisingly sanitized.
The 34th edition is a parade of monstrous and transgressive bodies.
Magnus Andersen expands painting beyond the canvas in a total
installation that grins at contemporary fantasies of idyllic rural life.
The Helsinki School started as a gallerist’s ambitious idea, became a huge commercial success, and put Finland on the international art map. But at what cost?
Extremely unpleasant exhibition in Berlin. Are Mire Lee’s works innocent victims of H. R. Giger’s perversions, or is this a case of mutual fetishism.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.