The 34th edition is a parade of monstrous and transgressive bodies.
With a Danish ghost ship and humorous decolonial propaganda, the first part of the 11th Gothenburg Biennial wants to serve as a counter-narrative to the city’s official 400-year anniversary.
Olof Marsja’s exhibition at Nevven in Gothenburg is a bold mix of contemporary spirituality, Sámi handicraft, and fake designer clothes.
Which were the most memorable art experiences of 2019? Today’s answer is by Oscar Svanelid, critic, art historian and contributor to Kunstkritikk.
What happened to the idea of a European public sphere? Artist Andjeas Ejiksson unearths a forgotten public service channel from the 80s.
Lund’s Konsthall’s exhibition about Chile’s contemporary history is at its best when it establishes critical distance to its politically and emotionally charged subject.
Latin American concrete art shows us how formal experiments, utopian ideas and social concerns can overlap in unexpected and dynamic ways.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
A European tour of works by Frida Kahlo brings attention to the uncertain future of a collection rooted in Mexico’s cultural history.
Showcase images always feature a pair of hands presenting something to us, often another image.
