In Cyprien Gaillard’s exhibition in Stockholm, the angel of fascism dances for an eternal and desirable sleep.
Fondation Cartier shows how artists today try to invent a personal visual language where theory and politics are latent and unfathomable.
Lap-See Lam demonstrates the advantages that transhumanism, technocapitalism, and post-internet art have in common.
Franz West fought his whole life with the question of how he could achieve something by doing nothing.
Haq’s objections to my review do not change the fact that he has failed to confront secularity as an urgent and conflicted topic.
What is the secret to Matias Faldbakken’s artistic and literary success? Fearlessness.
The 8th Gothenburg biennial takes on one of the pressing issues of our time. Yet the disparity between its its aspiration and the result couldn’t be greater.
Which were the most memorable art experiences of 2019? Today we hear from Petter Pettersson and Elin Lundgren of Lilith Performance Studio in Malmö.
‘Curating is about visual intelligence’, says Fatima Hellberg, who recently assumed the directorship of Bonner Kunstverein in Germany.
Director of Kunsthuset Kabuso, Sissel Lillebostad, here presents her three most memorable art experiences of 2019.
Here are the year’s three most memorable art events, according to artist Simon Dybbroe Møller.
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