The father of modern curating, Harald Szeeman, is memorialised at Castello di Rivoli in Turin with a lavish presentation of obsessive archiving and a hint of kitsch.
With her New Museum retrospective, Sarah Lucas (almost) breaks free from the YBA generation, excelling with British toilet humor that speaks directly to the senses.
Ways of Seeing is theatre with a political agenda, raising awareness by looking at a protected and privileged world from a position on its margins.
In her beautiful sci-fi noir installation at the Danish Pavilion in Venice, Larissa Sansour asks what the memory of national identity means once a tsunami has washed away everything.
New directors at Malmö Art Museum and Art Hub Copenhagen, artist lists from the biennials in Gothenburg and Lofoten, and other news from the Nordic art field.
The 58th Venice Biennale provides an image of art’s postdigital condition, where politics is consigned to the level of the individual artwork.
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