The father of modern curating, Harald Szeeman, is memorialised at Castello di Rivoli in Turin with a lavish presentation of obsessive archiving and a hint of kitsch.
With her New Museum retrospective, Sarah Lucas (almost) breaks free from the YBA generation, excelling with British toilet humor that speaks directly to the senses.
The Physical World Was Still There at Konsthall C is a gripping account of the human desire to escape reality. It has tenderness, grief, pain and lyricism.
The web of global entanglements and flows described by A beast, a god, and a line at Kunsthall Trondheim omits the exhibition’s immediate context.
With global politics poised at several precipices at once, the international art scene seems preoccupied with globalism and transgeographic exchange this spring.
While Danish museums celebrate record-high visitor numbers, others want to shut down the Ministry of Culture. In a way, the two are connected. Also, institutional collaborations have become the order of the day.
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