Okwui Enwezor’s final exhibition concludes the Trump-era identity-political crisis in American art, and examines mourning as an anti-racist paradigm.
Fashion week in a time of COVID-19 offers new digital-first strategies that increasingly prevail in the art world. What’s at stake when everything turns into viral content?
The father of modern curating, Harald Szeeman, is memorialised at Castello di Rivoli in Turin with a lavish presentation of obsessive archiving and a hint of kitsch.
With her New Museum retrospective, Sarah Lucas (almost) breaks free from the YBA generation, excelling with British toilet humor that speaks directly to the senses.
An exhibition at the Museum of Contemporary Art brings together the distant worlds of art and gaming, without subsuming one to the other.
Italian duo Francesco Urbano Ragazzi will curate Lofoten International Art Festival 2022.
Eddie Figge’s paintings from the 1989 São Paulo Biennale should be shown in schools as proof that our planet has had visitors from a distant civilisation.
For twenty-five years, artist and writer Leif Holmstrand has worked with experiences of psychosis, prostitution, and transsexuality in a highly eclectic practice. Now, he has collected it all in a new book.
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