In highly ornamented pieces that seduce the eye, Ebony G. Patterson touches deep colonial wounds and stresses the need to discuss them – without ending up in a muddle.
All articles by Francesca Astesani
Miriam Cahn summons real and timely struggles in a powerful show composed in the language of dreams.
Abandonment and ghostly presences dominate Jane Jin Kaisen’s body of work and an exhibition that, despite compelling narratives, longs for rhythm and surprise.
In a disconcerting body of work, Steve McQueen makes our eyes sore from the world’s pain.
Per Kirkeby’s bronze sculptures mould struggles with the paradoxes of representation into a theology of total incarnation.