Wolfgang Tillmans’s exhibition at Peder Lund in Oslo imagines nature and the body beyond traditional constraints.
On Circulation at Bergen Kunsthall reveals symbiotic relations between living and dead matter. It is an art that critically opens up to the future.
– Art is not about mysticism, it is not about belief. It is literally about empirical facts, says Lawrence Weiner, whose exhibition at OSL Contemporary in Oslo opened yesterday.
In the work of Wolfgang Tillmans, people, plants, and technologies are all vital living objects on their own cosmological terms.
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
