Tori Wrånes takes the depressing spirit of our times seriously, without letting it dampen the mood.
Børre Sæthre’s monuments to cruising culture turn more-or-less secret spots for casual sexual encounters into public spectacles.
Art historian and regular contributor to Kunstkritikk Jakob Myklebust Huus presents his three favourite exhibitions from 2022.
On a protected island, climate friendly works are presented without unnecessary doomsday rhetoric.
‘Progress and catastrophe are two sides of the same coin’, according to Charles Teyssou and Pierre-Alexandre Mateos, curators of Stavanger Secession.
Tori Wrånes takes the depressing spirit of our times seriously, without letting it dampen the mood.
For all its racket, Moderna Museet’s Mike Kelley-show fails to speak to the current moment.
Kunstkritikk is supported by
