Tommy Olsson (f. 1963) er kunstkritiker og forfatter, bosatt i Trondheim. Olsson skriver fast for Klassekampen.
It Will Always Be the Devil Staring Back From the Other Side of the Lens
Maria Pasenau is raw, in every sense of the word.
Maria Pasenau is raw, in every sense of the word.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
Marte Gunnufsen’s exhibition at Noplace lulls you into a deceptive feeling of security.
In the empty parallel world we know as Tjuvholmen, Ida Ekblad’s paintings shout out in a polyphonic chorus: ‘Steal me and take me home!’
In the 2010s, Norwegian cultural politics began the deliberate disassembly of a functioning system under the pretence of having something to replace it with.
Once the last page has been read it is difficult to shake the feeling that Bjarne Melgaard’s novel is actually a piece of quite good late modernist prose.
With such wide-ranging ambitions I Wish This Was A Song at the Museum of Contemporary Art in Oslo almost had to become a very varied affair. Which is fine when you deliver – as this exhibition does.
Kateryna Lysovenko turns fragility into light and violence into tenderness.
Maria Pasenau is raw, in every sense of the word.
Five great works in and around Copenhagen right now.
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.