A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
Marte Gunnufsen’s exhibition at Noplace lulls you into a deceptive feeling of security.
In the empty parallel world we know as Tjuvholmen, Ida Ekblad’s paintings shout out in a polyphonic chorus: ‘Steal me and take me home!’
In the 2010s, Norwegian cultural politics began the deliberate disassembly of a functioning system under the pretence of having something to replace it with.
Once the last page has been read it is difficult to shake the feeling that Bjarne Melgaard’s novel is actually a piece of quite good late modernist prose.
With such wide-ranging ambitions I Wish This Was A Song at the Museum of Contemporary Art in Oslo almost had to become a very varied affair. Which is fine when you deliver – as this exhibition does.
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
Nordic nostalgia and a fraught sponsorship collaboration at Market Art Fair in Stockholm.
Madeleine Andersson, Arvida Byström, and Tobias Bradford on embodiment and identity in the age of AI.
The inaugural exhibition of the New Museum’s expansion is undone by an inability to leave anything out.
