Mamma Andersson oscillates between landscape drama and silent homes in a major solo show at Louisiana presenting confident paintings with a laid back vibrating undercurrent.
‘In many ways, the project conducts fundamental research into how to make exhibitions.’ Nina Beier and Simon Dybbroe Møller give a glimpse of their micro-project space, AYE-AYE.
Art collective SIGNA has taken over the new art venue in Copenhagen’s Ørestad district with a spectacular nightmare exposing the beautiful disasters of capitalist reality.
In a winter of no content, can memories of artworks activate our sense of wonder when the works themselves are absent?
Which crisp see-through paintings stopped writer Nanna Friis in her tracks in 2020?
NFTs demonstrate art’s license to make commodities out of almost anything.
The Munch Museum was recently the scene of a climate-activist performance stunt.
Philosopher Yuk Hui asks how art can transform technology.
‘I never seriously thought the textiles would ever be returned to Peru’, says Oscar Lara, who has worked for years on a project involving the Paracas textiles at the Museum of World Culture in Gothenburg.
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