The Blind Spot of Swedish Art World Exceptionalism
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
Unlike a superhero movie, the 10th Göteborg Biennial does not seek to reach an audience consisting of all the people on earth.
At Statens Museum for Kunst, Shahryar Nashat has produced a captivating immersive experience that is both seductive and claustrophobic.
Dealing with bad art, the book Bad Writing is gloriously perverted in places. But it is also a slightly surly attack on what it calls ‘political correctness’.
‘In order to move on, you must also turn back’, says Lisa Rosendahl, curator of the 10th edition of the Göteborg Biennial, opening this Saturday.
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