The Optimist
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
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– Goethe was wrong in believing that certain colours produce specific emotions, says artist Henriette Heise, who has devised a new theory of colour.
Tommi Grönlund and Petteri Nisunen were central to the Nordic 90’s generation. Their retrospective at Kunsthalle Helsinki is consistent, playful and surprisingly universal.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.