The Blind Spot of Swedish Art World Exceptionalism
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
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– Goethe was wrong in believing that certain colours produce specific emotions, says artist Henriette Heise, who has devised a new theory of colour.
Tommi Grönlund and Petteri Nisunen were central to the Nordic 90’s generation. Their retrospective at Kunsthalle Helsinki is consistent, playful and surprisingly universal.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
Manifesta 15 in Barcelona forces visitors to spend time in the periphery and confront the central issues of our time.
Allegations of sexual misconduct in a Vaginal Davis work at Moderna Museet raise questions about art’s toxic culture of privilege.