The Optimist
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
Kunstkritikk International is presently seeking a freelance Copy Editor and an Advertising Representative working on commision.
– Goethe was wrong in believing that certain colours produce specific emotions, says artist Henriette Heise, who has devised a new theory of colour.
Tommi Grönlund and Petteri Nisunen were central to the Nordic 90’s generation. Their retrospective at Kunsthalle Helsinki is consistent, playful and surprisingly universal.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.