A Happy, Unspecified Fantasy
Arthur Köpcke arrived in Copenhagen in 1953. Not long after, the city became a centre of the European avant-garde. When might that happen again?
Arthur Köpcke arrived in Copenhagen in 1953. Not long after, the city became a centre of the European avant-garde. When might that happen again?
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
