This autumn, Sarah Lookofsky takes up her new position as dean at the Oslo National Academy of the Arts.
‘The proposal concerns only individual artists directly’, says artist Jan Christensen, the initiator of a boycott on art commissions for Oslo’s new government building.
Judging by statements made by the heads of Norwegian art institutions in the wake of this year’s Black Lives Matter protests, lack of will is not the issue when striving for greater diversity.
Academic research is driving art in a direction where it will require shock treatment to be resurrected.
Miriam Cahn summons real and timely struggles in a powerful show composed in the language of dreams.
The exhibition featuring Goodiepal’s collection is also a retrospective of ‘Goodiepal’ the phenomenon, which is also a school, a band, and a refugee organisation.
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