Netflix’s new art world horror film, Velvet Buzzsaw, capitalises on the real life horrors of the art world.
Bergen’s plans for becoming an international cultural city overlooks the fact that the city already is.
In Andrea Büttner’s exhibition Shepherds and Kings at Bergen Kunsthall, the art world paradox of affluence and critique is not so much addressed as it is perpetuated.
As Director of Bergen Kunsthall, Axel Wieder intends to help art pay its dues to society.
Don’t be fooled by its congenial traditionalism, the 10th Berlin Biennale is not looking to make the viewer comfortable.
If you are made of flesh and blood, you will think about biting or sucking the objects in Torbjørn Rødland’s photographs.
The true story about Kunstkritikk’s attempt at interviewing the curators of We Don’t Need Another Hero, the 10th Berlin Biennale.
From Felt and Palmera via Slakt and Watch to Aldea – Bergen’s art scene is ripe with initiatives, but there is really no way to tell what an artist-run gallery really is or should be.
This year’s instalment of the Nuuk Nordic Culture Festival opened with a call to think outside of the national frameworks that have organised history writing in the Nordic countries.
The reason the work was effective was that I thought that I did not read the text that I had to read in order to understand the work.
Are we seeing a ketchup effect? Two years after #MeToo arrived, Denmark discusses equality and gender quotas in typically haphazard fashion, but at a new level.
Merike Estna’s paintings at Moderna Museet Malmö are inviting, strange, and genuinely convinced of their own vanity.
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