Setting the Tone
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
Palestinian artist and film director Kamal Aljafari visits Oslo for the opening of his retrospective at Kunstnernes Hus.
Warsaw’s Museum of Modern Art was already a respected institution. The reopening in a new building leaves no doubt that it is one of Europe’s top museums.
As curator of GIBCA 13, Christina Lehnert promises to confront the present head-on.
Fresh 90s nonchalance at Paris Internationale and Martine Syms at Lafayette Anticipations.
After a year of Israeli war on Gaza and increased pressure on the arts, the Danish-Palestinian artist Larissa Sansour opens two major exhibitions in the Nordics.
The climate has no time to wait, and nature cannot hurry. Camilla Berner is raising a forest on the island of Ærø.
Henriette Heise studies the late work of deceased artists to learn how others found the strength to make art despite living lives full of adversity, crisis, and war.
Open call for a writer to join the Art and Culture Magazine Publishers Forum’s fall research trip to Tallinn and Helsinki.
The work Take the Money and Run becomes part of the collection.
Mariann Enge’s term as Kunstkritikk’s editor-in-chief has been renewed for four years.
The skyrocketing Lap-See Lam on launching her first opera at the 60th Venice Biennale.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
Is Berlin losing its position as a haven for artists due to German repression of pro-Palestinian voices? Six Nordic artists and curators respond.