Momentum’s director, Dag Aak Sveinar, responds to allegations of sabotage put forth in an open letter from dismissed curator Théo-Mario Coppola.
The Momentum Biennial opens this weekend against the will of its curator, Théo-Mario Coppola, who was recently fired.
At Kunsthall Stavanger, Jamian Juliano-Villani accelerates the visual logic of commercialism to expose contemporary culture for what it is: an absurd nightmare.
After a year of fierce conflicts, the newly elected rector of the Oslo National Academy of the Arts, Markus Degerman, wants to look ahead.
Partner of ex-minister used all available channels to throw suspicion on the play Ways of Seeing, according to Oslo District Court. Director Pia Maria Roll is relieved over the verdict passed on Friday.
The art academies in the three Scandinavian capitals are all without rectors – and with staff and students openly mistrusting the management.
These were the most important art events of 2020, according to Andreas Breivik, art critic and regular contributor to Kunstkritikk.
Artist Germain Ngoma on why almost none of his work from the last twenty-five years has been shown in public, and his unremitting obsession with styrofoam.
Artists Máret Ánne Sara, Anders Sunna and Pauliina Feodoroff will represent Sápmi at the 2022 Venice Biennale.
Steffen Håndlykken, chair of the board of Young Artists’ Society, believes that the three hundred temporary grants to be awarded in 2021 should become a permanent scheme.
The Oslo Biennial was going to invigorate the local art scene and pioneer new curatorial methods. Now, it’s being brought to an end two years ahead of schedule. What went wrong?
The Oslo City Department of Culture has decided to end the first instalment of the city’s biennial two years earlier than planned, due in part to financial overspending.
The 11th Gothenburg Biennial tells a powerful story about seafaring, colonialism, and racism, but suffers from a certain artistic and intellectual predictability.
With doomsday vibes in Berlin, blockchains in Hamburg, and an art scene brat pack in Zurich, there’s every reason to renew your BahnCard. Here’s a bird’s-eye view of the autumn’s exhibitions north of the Alps.
With the show Hummings, KØS Museum shows its ambitions to move its programme towards public space, but delivers unconvincing results.
The idyllic setting of Momentum 11 threatens to drown out the biennial’s well-meaning gestures towards activism.
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