In the Labyrinth
Lina Selander turns Marabouparken into a field of dazzling, haunting, and ethically unresolved images.
Lina Selander turns Marabouparken into a field of dazzling, haunting, and ethically unresolved images.
Kunstkritikk’s Emet Brulin on three shows that expanded art during a year of war and upheaval.
After a year of Israeli war on Gaza and increased pressure on the arts, the Danish-Palestinian artist Larissa Sansour opens two major exhibitions in the Nordics.
Frida Orupabo’s exhibition at Bonniers Konsthall is unambiguously political.
France celebrates as the philosopher’s fabled lectures are finally committed to print.
In the virtual realm, af Klint’s spiritual vision of a temple is sacrificed on the altar of high-tech revelry.
Centre Pompidou’s exhibition on the Weimar Republic reveals more than meets the eye.
Centre Pompidou organised a conference in solidarity with Ukraine.
As artists called in from Kyiv and Lviv the space was totally still.
Kateryna Lysovenko turns fragility into light and violence into tenderness.
Maria Pasenau is raw, in every sense of the word.
Five great works in and around Copenhagen right now.
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.