13 December
Kunstkritikk’s Emet Brulin on three shows that expanded art during a year of war and upheaval.
Emet Brulin
All articles by Emet Brulin
‘I went into a very dark hole for a long time’
After a year of Israeli war on Gaza and increased pressure on the arts, the Danish-Palestinian artist Larissa Sansour opens two major exhibitions in the Nordics.
On the Nose Gaze
Frida Orupabo’s exhibition at Bonniers Konsthall is unambiguously political.
Gilles Deleuze’s Unpublished Theory of Painting
France celebrates as the philosopher’s fabled lectures are finally committed to print.
Hilma In Your Pocket
In the virtual realm, af Klint’s spiritual vision of a temple is sacrificed on the altar of high-tech revelry.
Unruly Modernity
Centre Pompidou’s exhibition on the Weimar Republic reveals more than meets the eye.
Assembly in Paris
Centre Pompidou organised a conference in solidarity with Ukraine.
As artists called in from Kyiv and Lviv the space was totally still.
