In the Labyrinth
Lina Selander turns Marabouparken into a field of dazzling, haunting, and ethically unresolved images.
Lina Selander turns Marabouparken into a field of dazzling, haunting, and ethically unresolved images.
Kunstkritikk’s Emet Brulin on three shows that expanded art during a year of war and upheaval.
After a year of Israeli war on Gaza and increased pressure on the arts, the Danish-Palestinian artist Larissa Sansour opens two major exhibitions in the Nordics.
Frida Orupabo’s exhibition at Bonniers Konsthall is unambiguously political.
France celebrates as the philosopher’s fabled lectures are finally committed to print.
In the virtual realm, af Klint’s spiritual vision of a temple is sacrificed on the altar of high-tech revelry.
Centre Pompidou’s exhibition on the Weimar Republic reveals more than meets the eye.
Centre Pompidou organised a conference in solidarity with Ukraine.
As artists called in from Kyiv and Lviv the space was totally still.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.
Transcaucasian film poems, a science-fiction retrospective, and an exhibition woven from nerve fibres. The Danish art autumn is all aquiver.