16 December
In 2024, artist Jaakko Pallasvuo favoured cool nonchalance over political overdetermination.
In 2024, artist Jaakko Pallasvuo favoured cool nonchalance over political overdetermination.
The absurdity of Norwegian cabin culture was among the epiphanies that art gave Constance Tenvik in 2024.
‘A woodpecker’s attempt to peck through an opaque art world of gimmicks and false talismans’. What did artist and poet Zahna Siham Benamor single out for praise in 2024?
Kunstkritikk’s Emet Brulin on three shows that expanded art during a year of war and upheaval.
Time folded itself into perfect layers of puff pastry during one of critic Maria Moseng’s most cherished art experiences this year.
A blue creature with downturned ears and red eyes captivated Kunstkritikk’s contributor Helle Fagralid.
Curator Louise Wolthers on this year’s most infectious shows in Sweden and Denmark.
Listen now! Artist Ayman Alazraq offers his picks for three best exhibitions of the year.
An exhibition in Stockholm made artist Jóhan Martin Christiansen yearn for a new Danish art history. Not just for the well-connected hunks, but also for the naughty, the flamboyant, and those who left us far too soon.
Curator Magnus af Petersens on three heart-throbbing shows in the Öresund region.
Bergen Kunsthall’s director Kjersti Solbakken shares her favourite exhibitions of the year.
Which art shows were the very best of the year in the Nordic region? Artist Eamon O’Kane offers his selection.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.