A blue creature with downturned ears and red eyes captivated Kunstkritikk’s contributor Helle Fagralid.
‘We stand on the shoulders of those who came before us,’ say Julia Rodrigues and Francesca Astesani, the curators behind Charlottenborg’s anniversary exhibition.
‘I have always seen art as a lifesaver. As something that has driven me forward when I had difficulty finding my way home’, says performance artist Jules Fischer.
‘I don’t believe in originality or authenticity. I’m remixing images that already exist in the world’, says artist Esben Weile Kjær, who is behind Arken’s new collection show.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
