Matthew Barney’s rebirth ritual at the Astrup Fearnley Museum makes fertile detours from the cult of his own person.
In spite of some gentle institution-critical kicks, Elmgreen & Dragset seem perfectly at home in Astrup Fearnley’s homoerotic and readymade-fetishised universe.
Fondation Cartier shows how artists today try to invent a personal visual language where theory and politics are latent and unfathomable.
Måns Wrange is elected the new principal of Oslo National Academy of the Arts, a new konsthall opens in Stockholm, and other news from the Nordic art field.
‘If you don’t have or don’t control material, you have to become material yourself’, says Arthur Jafa, currently showing at Kunstnernes Hus in Oslo.
A dream in crisis? Europa Endlos is a curatorial essay on Europe, set against a backdrop of irony, globalisation, and Brexit.
Kunstkritikk is supported by
