The idyllic setting of Momentum 11 threatens to drown out the biennial’s well-meaning gestures towards activism.
The exhibition Artists’ Film International: Language at Tromsø Kunstforening makes no attempt to mimic the cinema’s isolating darkness.
Matthew Barney’s rebirth ritual at the Astrup Fearnley Museum makes fertile detours from the cult of his own person.
In spite of some gentle institution-critical kicks, Elmgreen & Dragset seem perfectly at home in Astrup Fearnley’s homoerotic and readymade-fetishised universe.
NFTs demonstrate art’s license to make commodities out of almost anything.
The Munch Museum was recently the scene of a climate-activist performance stunt.
Philosopher Yuk Hui asks how art can transform technology.
‘I never seriously thought the textiles would ever be returned to Peru’, says Oscar Lara, who has worked for years on a project involving the Paracas textiles at the Museum of World Culture in Gothenburg.
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