Going Public
In the 2010s, collective action replaced individual visions as the agent of change in art institutions.
In the 2010s, collective action replaced individual visions as the agent of change in art institutions.
Tom Eccles visited Oslo recently and reflected on his time with the Public Art Fund and CCS Bard in a public lecture. – One has to adapt while staying critical, he states in this interview.
In Rio de Janeiro museums must cut down their opening hours because they cannot afford the cost of air conditioning, and everyone I meet is complaining about a lack of discourse production in the art.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.
Transcaucasian film poems, a science-fiction retrospective, and an exhibition woven from nerve fibres. The Danish art autumn is all aquiver.