Going Public
In the 2010s, collective action replaced individual visions as the agent of change in art institutions.
In the 2010s, collective action replaced individual visions as the agent of change in art institutions.
Tom Eccles visited Oslo recently and reflected on his time with the Public Art Fund and CCS Bard in a public lecture. – One has to adapt while staying critical, he states in this interview.
In Rio de Janeiro museums must cut down their opening hours because they cannot afford the cost of air conditioning, and everyone I meet is complaining about a lack of discourse production in the art.
Magnus Karlsson Gallery gives a rare and extended glance at Bruno Knutman’s particular form of radical play in a show focused exclusively on his drawings.
Santiago Mostyn’s exhibition at Andréhn-Schiptjenko in Stockholm is a hypnotic spatial montage which reveals the contours of an emergent Black subjectivity.
In highly ornamented pieces that seduce the eye, Ebony G. Patterson touches deep colonial wounds and stresses the need to discuss them – without ending up in a muddle.
Partner of ex-minister used all available channels to throw suspicion on the play Ways of Seeing, according to Oslo District Court. Director Pia Maria Roll is relieved over the verdict passed on Friday.