Going Public
In the 2010s, collective action replaced individual visions as the agent of change in art institutions.
In the 2010s, collective action replaced individual visions as the agent of change in art institutions.
Tom Eccles visited Oslo recently and reflected on his time with the Public Art Fund and CCS Bard in a public lecture. – One has to adapt while staying critical, he states in this interview.
In Rio de Janeiro museums must cut down their opening hours because they cannot afford the cost of air conditioning, and everyone I meet is complaining about a lack of discourse production in the art.
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
After the death of Lars Vilks, the future of his site-specific work has been uncertain. Now the question of ownership is resolved, but some obstacles remain.
After coming to Sweden as a refugee of the Islamic Revolution in Iran, Mandana Moghaddam has been guided by a belief in art as a connecting force.
Suddenly, you know someone in Oslo who has started a new centre for contemporary art in Lusaka.