With the exhibition Les Immatériaux, Jean-François Lyotard addressed an increasing intimacy between consciousnesses and things. A new book shows the continued relevance of his endeavour.
At the inauguration of the conference Nordic Avant-Garde 1975-2000 in Copenhagen today, Ellef Prestsæter proposes a rethinking of the relation between avant-gardes and networks.
During a few glorious summer days, Kunstkritikk drove around Gotland with Jacqueline de Jong, re-experiencing a trip she made in 1964 with Asger Jorn and his Scandinavian Institute of Comparative Vandalism.
– In a Nordic context it is actually only when you recognize the transnational networks that you discover the avant-garde, says Tania Ørum.
After art’s artistic turn, mood is the new benchmark for quality in contemporary art, positing a philosophically sustainable alternative to spectacle and newness.
This year’s Lofoten International Art Festival delves into local history while emphasising the need to connect with the world.
After a year of Israeli war on Gaza and increased pressure on the arts, the Danish-Palestinian artist Larissa Sansour opens two major exhibitions in the Nordics.
Ulla Wiggen’s retrospective at EMMA in Espoo uncovers her ever-evolving ability to worm her way beneath the surface of the ordinary.
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