The Norwegian artist Hanni Kamaly talks about mourning and remembrance, the physicality and presence of sculpture, and the Nordic art world’s reluctance to acknowledge the legacy of colonialism.
All articles by Matthew Rana
Cultural ownership, decolonial listening, and Pablo Picasso were up for debate at Malmö Art Museum’s symposium on the mediation of public art collections.
Merike Estna’s paintings at Moderna Museet Malmö are inviting, strange, and genuinely convinced of their own vanity.
Our Friend, Valerie Solanas at Signal in Malmö pays tribute to women artists who find strength in fragility, but forfeits on a broad anti-capitalist feminism.
At Virserum Konsthall, Ane Hjort Guttu reflects on the challenges confronting rural areas in Sweden at a time when individuals are poised to be creative and free.
Malmö Konsthall’s summer exhibition presents the work of three female artists who have spent decades making work on the margins of the art world.
SPEED 2 at Malmö Konsthall highlights our lack of genuine filmic communication.
At a time when Sami artists are increasingly visible, Britta Marakatt-Labba’s unsettling of ties between biography, identity, and content feels both necessary and urgent.
Art historian T. J. Clark’s new book sketches a vision for a new political Left through the affective registers and subtleties of painting.
Molly Lowe’s garish performance at Lilith Performance Studio in Malmö on Saturday was an exercise in totalitarian aesthetics.
French artist and musician Félicia Atkinson’s exhibition at Krets in Malmö traces a series of drifts through the troubled landscapes of the American Southwest.
An exhibition by a group of young, international painters in the small city of Växjö engages with the bucolic setting of the Swedish countryside, fir tree, sauna and all.