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What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Paul McCarthy meets Scandinavian collectivism in Josefin Arnell’s films at Index in Stockholm.
From instagram fame to art world success. Norwegian Trude Viken’s show at Belenius in Stockholm returns us to a realm of childhood attachments.
David Garneau wants to write about Indigenous art with critical care.
Tarik Kiswanson’s gravity-defying sculptures imbue the brutalist interior of Bonniers Konsthall with tension – and a non-identitarian politics.
Revisiting the strategic essentialisms of the 1990s, Salad Hilowle’s complacent debut at Cecilia Hillström hints at the bankruptcy of Sweden’s cultural economy.
In their first major presentation in Sweden, the Swiss duo Pauline Boudry & Renate Lorenz ask whether clubbing can inspire a progressive political movement.
At Mint in Stockholm, an international group show offers a mind-expanding mix of erotics and poetry.
How is love complicit in the creation of racial hierarchies? The Swedish author and scholar offers a valuable lesson.
Ina Blom’s new essay collection enjoins us not to affirm what makes us feel most at home, but rather to attend to our feelings of estrangement.
Lunds Konsthall presents Gülsün Karamustafa’s work as a response to government repression in Turkey.
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
The past haunts the present through the apparatuses that make our images in Lap See Lam’s exhibition at Henie Onstad Art Center.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.