At the age of 33 David Lieske stopped making art. Now, at 34, he is back with 59 new pictures based on a gaping hole within the artist’s own “self image”.
André Tehrani explores complex cultural terrain in his debut exhibition, but at times the project’s lexical qualities become overwhelming.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
Bonner Kunstverein show plays with split vision.
Three exhibitions – by turns glossy, quiet, and flashy – fit Copenhagen’s event-packed month like a glove.
