At the age of 33 David Lieske stopped making art. Now, at 34, he is back with 59 new pictures based on a gaping hole within the artist’s own “self image”.
André Tehrani explores complex cultural terrain in his debut exhibition, but at times the project’s lexical qualities become overwhelming.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
