At the age of 33 David Lieske stopped making art. Now, at 34, he is back with 59 new pictures based on a gaping hole within the artist’s own “self image”.
André Tehrani explores complex cultural terrain in his debut exhibition, but at times the project’s lexical qualities become overwhelming.
In election-year Sweden, the art scene is politically ambitious but institutionally cautious.
From Sámi art seeking to heal colonial wounds to spray-painted bedrooms and a brand-new museum – even as budgets shrink, the Norwegian art scene still offers a lavish autumn spread.
Matias Faldbakken’s memorial to the 2011 terrorist attacks in Norway makes security its aesthetic point.
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
