At the age of 33 David Lieske stopped making art. Now, at 34, he is back with 59 new pictures based on a gaping hole within the artist’s own “self image”.
André Tehrani explores complex cultural terrain in his debut exhibition, but at times the project’s lexical qualities become overwhelming.
Digital textures are punctured by lived experience in Ed Atkins’s retrospective at Tate Britain.
Inuit must learn from tradition and living memory in order to look ahead, was the message at a recent seminar on Greenlandic performance traditions.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
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