The Riddles of Indifference
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
