The Riddles of Indifference
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Gitte Ørskou becomes the director of Moderna Museet, Danish Social Democrats issue a new cultural policy, and the gallery Signal in Malmö shares art prize with other cultural initiatives.
‘Artists find the measure of their own time just by doing their work’, says Julia Scher who began making art about surveillance long before the Internet really existed.
Ephemeral and relational art set the aesthetic agenda of the Oslo Biennial, which risks disappearing without a trace.
A new exhibition rehabilitates an overlooked Swedish modernist, for whom contemplation, rest and sensual pleasure were essential capacities of modern painting.
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