The Riddles of Indifference
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
HKW in Berlin revives Aby Warburg’s original picture atlas. For contemporary audiences it is a display both evocative and impenetrable.
Joar Nango’s festival exhibition at Bergen Kunsthall is an inspiring invitation to expand our minds and knowledge and to carry out fundamental change.
The Berlin Biennial is taking place against all odds. But adamant to meet the current crisis, the exhibition’s progressive politics makes for a conventional and repetitive viewing experience.
Criticism has moved from the daily newspapers to niche media. This should be reflected in Denmark’s new media policy agreement, says Kamilla Löfström of United Critics Denmark.
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