The Riddles of Indifference
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Monir Shahroudy Farmanfarmaian seduces the eye and keeps the mind guessing.
Kateryna Lysovenko turns violence into tenderness.
Maria Pasenau is raw, in every sense of the word.
Five great works in and around Copenhagen right now.
