Andreas Schlaegel is an artist and writer, based in Berlin.
Endless Endless
A dream in crisis? Europa Endlos is a curatorial essay on Europe, set against a backdrop of irony, globalisation, and Brexit.
Andreas Schlaegel
All articles by Andreas Schlaegel
Anecdotes and evidence
The mid-career survey by Danh Vo, one of the most internationally celebrated Danish artists, hits his hometown with a pop song title. But is it a hit – or a self-congratulatory pat on the back?
The Trickster at Work
Jordan Wolfson’s work that created such bustle at the Whitney Biennial last year is on show at the Schinkel Pavillon in Berlin. But does it still work? Or is it yesterday’s news?
Documenta Battle Shifts from Finances to Artistic Independence
Documenta, the world’s foremost large-scale exhibition, will remain non-profit and is financially set for 2022. But two big issues relating to its artistic independence are still very much contested.
Ten Questions: Toke Lykkeberg
Prior to the opening of Welcome Too Late, curator Toke Lykkeberg explains why Claude Monet is a painter of exponential growth and advices artists on how to keep up with this speedy world.
World of Interiors
An autumnal home story, a déjà-vu, and his trademark pastels: Marc Camille Chaimowicz furnishes his exhibition in sublime ambiguity, but the tyranny of our times pulls things into perspective.
From Post-Internet to Post-apocalyptic
Tiril Hasselknippe’s show at Bianca d’Alessandro rubs the artists post-apocalyptic narratives against art history, marking a radical departure from her post-Internet beginnings.
Post-Internet Art Criticism Survey
The ‘Post-Internet’ concept has entered mainstream consciousness – but how does it reflect on the status quo of art criticism today? Writers, critics and editors give their responses.
Post-Internet Art Criticism
The ‘Post-Internet’ concept has entered mainstream consciousness – but does it receive the critique it requires? How does it reflect on the status quo of art criticism today?
Ten Questions: Haegue Yang
“I‘m still terrified!” Haegue Yang says of her first proper figurative sculpture on display as part of her Journal of Echomimetic Motions at Bergen Kunsthall.
Kuri, Henriksen and Tuttle not at Bergen Kunsthall
Why the unlikely trio of Gabriel Kuri, Knut Henrik Henriksen and Richard Tuttle succeed in making a convincing case for the autonomy of art, even in site-specific interventions in Bergen.
