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‘When I saw Van Gogh drenched in soup, I felt an ache in my chest. At first, I thought it was anger, but then I realised it was hope!’, says artist Karin Lorentzen.
For one year, Moderna Museet showed only locally produced art. This is what they learned.
Director at the Vigeland Museum in Oslo, Jarle Strømodden, believes it is too early to say whether the sculptures have suffered permanent damage.
Florencia Battiti, president of AICA Argentina, is among the organisers of this year’s AICA congress.
Fostering young talent is a focus area on the Danish art scene, but attention is seldom paid to what happens when artists pass away. Heirloom is a new organisation for neglected archives.
Tijana Mišković believes that art can convey painful experiences of war and displacement, even to those without first-hand knowledge of them. She has arranged an exhibition featuring Danish artists with roots in the former Yugoslavia.
Angela Davis’s visit in Oslo was an event that may well have ripple effects.
‘We want the Fredriksen agreement to be terminated’, says Nikhil Vettukattil, one of the artists behind a call for Norway’s National Museum to end the collaboration.
Anonymous threats of violence are the culmination so far of the discussion surrounding the Palestinian artists’ group The Question of Funding and its participation in Documenta 15.
The kunstverein is a cornerstone of the sturdy German art system, believes Milan Ther, the new director at Kunstverein in Hamburg.
On Saturday 11 June, the largest art museum in the Nordic region will finally open to the general public.
Bigert & Bergström’s Tipping Point will be shown during the UN’s climate summit in Stockholm.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
