An exhibition at Hamburger Bahnhof recasts Emil Nolde as a Nazi. But this makes no occasion to shame his art, but one for both correcting and complicating art history.
In constellations of kitschy furniture, Henrike Naumann’s show at KOW in Berlin addresses the still-fraught aftermath of German reunification.
Cross-aesthetic becomes anti-aesthetic in Louisiana’s vastly overhung exhibition The Moon. And with so many good works on display, that is really a pity.
Henrik Olesen’s exhibition at the Schinkel Pavillon in Berlin wants to challenge established taste paradigms. But it’s cool to be shabby, so how challenging is it actually to be cool?
Social Democrat Joy Mogensen becomes Denmark’s new minister of culture, curators named for Alt_CPH 2020, and other news from the Nordic art field.
In the midst of her largest retrospective to date, artist Zdenka Rusova talks about the singular question of her life and work.
This year’s Whitney Biennial focuses on autonomous personal narratives. The political aspects are embedded in the processing of material and form.
Jesper Just extends his film across the many rooms of Kunsthal Charlottenborg to tell stories about the architecture of the body, and sensory exhaustion in our present day.
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