In constellations of kitschy furniture, Henrike Naumann’s show at KOW in Berlin addresses the still-fraught aftermath of German reunification.
Cross-aesthetic becomes anti-aesthetic in Louisiana’s vastly overhung exhibition The Moon. And with so many good works on display, that is really a pity.
Henrik Olesen’s exhibition at the Schinkel Pavillon in Berlin wants to challenge established taste paradigms. But it’s cool to be shabby, so how challenging is it actually to be cool?
Ways of Seeing is theatre with a political agenda, raising awareness by looking at a protected and privileged world from a position on its margins.
In her beautiful sci-fi noir installation at the Danish Pavilion in Venice, Larissa Sansour asks what the memory of national identity means once a tsunami has washed away everything.
New directors at Malmö Art Museum and Art Hub Copenhagen, artist lists from the biennials in Gothenburg and Lofoten, and other news from the Nordic art field.
The 58th Venice Biennale provides an image of art’s postdigital condition, where politics is consigned to the level of the individual artwork.
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