Indigenous Histories speaks poignantly about Indigenous cultures’ encounters with European colonialism. But what is this costly exhibition doing at the crisis-stricken museum Kode?
The first North Atlantic Triennial is well-intentioned, but the presentation is marred by political naivety.
Which exhibitions stood out in 2021? Tuva Mossin, art historian and regular contributor to Kunstkritikk, offers her top three.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
