Recuperating the Past
The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
