8 December
Artist Yvette Brackman looks back on a year in art filled with suffering and tinged with hope.
Artist Yvette Brackman looks back on a year in art filled with suffering and tinged with hope.
Hans Haacke’s timely retrospective echoes urgent ethical issues around the role of museum boards in shaping policies towards labor and finance.
The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
Even if the I am Queen Mary monument in Copenhagen is only installed temporarily for now, the monument has already memorialized a time in history that Denmark has been trying to forget.
Tomorrow, the American Fluxus legend Ken Friedman opens a show in Kalmar, Sweden, where he, unbeknown to many, has been living since 2014.
After the death of Lars Vilks, the future of his site-specific work has been uncertain. Now the question of ownership is resolved, but some obstacles remain.
After coming to Sweden as a refugee of the Islamic Revolution in Iran, Mandana Moghaddam has been guided by a belief in art as a connecting force.
Suddenly, you know someone in Oslo who has started a new centre for contemporary art in Lusaka.