Love Will Tear Us Apart
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
Artist Yvette Brackman looks back on a year in art filled with suffering and tinged with hope.
Hans Haacke’s timely retrospective echoes urgent ethical issues around the role of museum boards in shaping policies towards labor and finance.
The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
Even if the I am Queen Mary monument in Copenhagen is only installed temporarily for now, the monument has already memorialized a time in history that Denmark has been trying to forget.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.