The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
Even if the I am Queen Mary monument in Copenhagen is only installed temporarily for now, the monument has already memorialized a time in history that Denmark has been trying to forget.
If everyone knew that control society was being realized, then why did panic not erupt?
The Office for Contemporary Art Norway invites us to step away from the Western canon. A radical multi-voicedness awaits on the other side. But how does this affect the tradition of canon criticism?
Presented at Kunstnerforbundet in Oslo, Marthe Ramm Fortun’s obstacle course through the city teases out the prejudices that govern public behaviour.
Lea Porsager combines the zany with the stringent as she casts herself as a sex-obsessed shaman, conjuring images of things that are not visible to the naked eye.
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