Love Will Tear Us Apart
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
Artist Yvette Brackman looks back on a year in art filled with suffering and tinged with hope.
Hans Haacke’s timely retrospective echoes urgent ethical issues around the role of museum boards in shaping policies towards labor and finance.
The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
Even if the I am Queen Mary monument in Copenhagen is only installed temporarily for now, the monument has already memorialized a time in history that Denmark has been trying to forget.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.